Hi,
I heard the L50 in my system for quite a while as well as the General’s system. It is a really great linestage. Actually might be my favourite solid state linestage. It was however drastically outclassed by the Mayer 10Y hence my acquisition of the latter.
Which of the many 10Y versions are you comparing?CH Precision L1 with an X1 power supply will better the Mayer 10Y, but at a considerably higher price. The bare L1 is a fairer comparison, and as such is a case of different, rather than better / worse. The Mayer has a great flow to the music, with stunning tonality, whilst the L1 has a slightly wider soundstage, a bit more detail and bass precision. With the X1 it gives you the best of both.
...then Tang thinks his Ayon sounds a lot better than the CH. And ddk told Tang Lamm would make his sound go beyond the Ayon. Mike on the other hand trusts that his Dart dusts the Lamm at warp nine. Mr.T has both Dart and Kondo but thinks his Kondo oust the Dart. And Bonzo probably says the Thomas Mayer edges the Kondo.CH Precision L1 with an X1 power supply will better the Mayer 10Y, but at a considerably higher price. The bare L1 is a fairer comparison, and as such is a case of different, rather than better / worse. The Mayer has a great flow to the music, with stunning tonality, whilst the L1 has a slightly wider soundstage, a bit more detail and bass precision. With the X1 it gives you the best of both.
CH Precision L1 with an X1 power supply will better the Mayer 10Y, but at a considerably higher price. The bare L1 is a fairer comparison, and as such is a case of different, rather than better / worse. The Mayer has a great flow to the music, with stunning tonality, whilst the L1 has a slightly wider soundstage, a bit more detail and bass precision. With the X1 it gives you the best of both.
Kcin has the angle.The mighty Wyetech 211. It dwarfs the ESLs right next to it. It actually drives the ESLs in such a wonderful way as well.
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What's the feeling regarding SET designs implemented with only a single output tube, compared to so many SETs using multiple output tubes in parallel to provide more power? Seems intuitive that running multiple tubes in parallel eliminates some of the simplicity and purity that a single tube output would offer, but I'd be interested in hearing other opinions in this regard. TIA and happy new year to all!
Hang on, didn't you have an issue with not turning this into an SS v Tube thread, seems like you are doing just that LOL.Also Gian prefers CH to Kondo so we are back to where we started. This is like groundhog day
Hang on, didn't you have an issue with not turning this into an SS v Tube thread, seems like you are doing just that LOL.
Hi Caelin, as an aside, I am really looking forward to your views on the Quintet vis a vis the DeVore and the Volti.Pure Audio Project Quintet
What's the feeling regarding SET designs implemented with only a single output tube, compared to so many SETs using multiple output tubes in parallel to provide more power? Seems intuitive that running multiple tubes in parallel eliminates some of the simplicity and purity that a single tube output would offer, but I'd be interested in hearing other opinions in this regard. TIA and happy new year to all!
But unlike groundhog day, here is no correct solution, only personal preferencesAlso Gian prefers CH to Kondo so we are back to where we started. This is like groundhog day
But unlike groundhog day, here is no correct solution, only personal preferences