So what differences can you hear going from the SME to the Micro?
This is a very interesting question and one that many friends have asked. Now that I have lived with the Micro for about a month and set it up twice in different room configurations, I have a better idea of how to respond.
In my opinion, the SME 30/12 and Micro Seiki SX 8000 II share two qualities that are very important to me: they are both balanced and natural sounding. It is very difficult to assess turntables in other people's systems because of the challenges of isolating their contributions relative to the other components, particularly the tonearm, cartridge, and cable. However in my own system, I was able to conclude that the difference between these two tables is really only one of degree. The Micro is more resolving. I hear more nuance. Both tables seem fairly neutral in terms of tonal balance, but the Micro presents more information.
When I sold my SME, I included the outboard armpod I designed plus the SME 3012R so that the new owner will have the major benefit of being able to play two arm/cartridge combinations on a table designed for only one arm. I found this combination very successful in my system. I did quite a few arm and cartridge comparisons on that platform and the table served me extremely well as a stable and what I thought was a neutral platform. The SME is a very well made and designed product that sounds great and I enjoyed it tremendously for nine years. It has the benefit of being in current production from a company that offers superb service and support.
By the time the Micro arrived, I had fine tuned the SME to the point that it was sounding really excellent. My friend who bought it, listened to it three times in the week before he decided to buy it. We both agreed that the system had never sounded better. He helped me uncrate the table nine years ago and knows my system very well. He helped me pack it up in its original crate with all of its accessories. Part of me was quite sad to see it leave the room, though I am happy knowing that I will one day help set it up again in a local system for many more years of enjoyment.
The Micro Seiki SX8000 II is considerably more expensive and very difficult to find. It is a special and rare table. It is the flagship table from arguably one of the best turntable manufacturers, and it was made at the very end of when vinyl was the main source for recordings (just before the CD era). I feel very fortunate that ddk was able to find me one is such superb condition. It is very deserving of its superb reputation.