You are talking about pop productions. On classical releases, recordings often capture more of the 'raw' sound.
Eh
You are talking about pop productions. On classical releases, recordings often capture more of the 'raw' sound.
IMO watching videos of a system are totally useless. I ignore them whenever someone posts. It tells me nothing about a system
some listeners will (like it or not) take a video data point and come to conclusions. (imagine that).
I wonder if it might be more useful to compare a system video to a video of a live music performance just as some of us do when we judge the actual sound of a system we hear to our memory of a live music performance. In other words, comparisons of video to video, and of live listening to live listening.
Yes. Many people do, others do not. I learned a lot from making the videos from my tonearm comparison. Sharing them was fun, others seemed to enjoy them, and I learned more about critical listening. I might have more to learn than others here.
How is this different from how some readers take random posts and draw random conclusions?
I think this is theoretically a very interesting topic in as much as it speaks to the issues of evaluation and references and how we gauge what we like. I say 'theoretically' because if it is taken seriously it, for me, starts approaching the absurd.
First, sound waves hit our bodies, if it is music, we audiophiles 'consider it' - we immediately know if it's live or reproduced. If it is live we may very well enjoy it, especially a genre we prefer. If it is reproduced why would we need to know where or what it is coming from to make an 'audiophile assesment? Why do I want to gauge 'video sound' differently from my system's sound? Do I need to lower or dumb down expectations? Do I need different standards for one versus the other? Whenever a video shows up it seems like part of the discussion centers around the technology of the video, what sort of phone or microphone is it, what did you hear it with, etc. etc. It all seems somewhat self-absorbed.
But the real approachment of absurdity, for me, comes from considering the reproduction of a reproduction and considering should I assess the reproduction of a reproduction - against what it reproduces or the real thing? How many steps and chains from the original are you willing to go? It's like the start of a William Gibson novel - the sky was the color of a television tuned to a dead channel... reproduced. I enjoy the methodology stuff too, but are we reduced to spending our time refining our evaluatory preferences for gauging copies of copies?
I get why people do it and it certainly makes for discussion and there are days sometimes even weeks when quality topics of interest are shy. It may be a higher quality filler than say rhodium versus byzantium.
What I like most about 'videos' are the varying background performances they offer for reading WBF.
video is a different thing than words. look at media, and observe a video literally changed the world. don't be naive.
Tim I had thought Byzantium was still as yet unobtainium and yet way more suffixium than prefixium unlike the ever elusive ununenium... but perhaps then we just digressium .
With the videos I also think that if we consider them more as an experience rather than as certain evidence but that they also can hint at some things and throw some small additional light or delight or just some lightness in our discovery of what all these things that we do read so much about can then in some ways perhaps be like.
Dear Tima,
As an ultra smart and fantastically well read individual,you must surely reason the purpose of posting clips of sound in order to gain
The quality of the specific vinyl playing at the time?
The clips put forward without my permission were embedded in Ebay listings so that potential bidders could know whether the condition of the grooves was acceptable or not.
Gibson you say? May I raise with Kafka?
The Orwellian nature of the farm seems to turn the animals into "book burners"?
Kindest regards,G.
It is a relatively new twist so discovering their value is part of seeing how they play out I guess. They are a way to get more music up on the forum though I also appreciate people posting straight commercially produced video clips from the net. But anything that infuses extra music and brings us back to the core of it all is also potentially a good thing.What can I say ... it was the second -ium that came to mind. Shoud I have said Dimaggio?
Wrt videos, sure they are an experience and maybe even evidence of something. And I can get some small light or delight from listening to them, as I read. Guess I'm not into critical listening of videos or going back and forth between a couple or three of them listening for whatever point they are trying to make. Ergo not into thinking about standards or references of assessing them. We still have a lot to come to grips with that topic for first-reproduction systems and even live music - that's challenge enough for me.
Dear Tima,
As an ultra smart and fantastically well read individual,you must surely reason the purpose of posting clips of sound in order to gain
The quality of the specific vinyl playing at the time?
The clips put forward without my permission were embedded in Ebay listings so that potential bidders could know whether the condition of the grooves was acceptable or not.
Gibson you say? May I raise with Kafka?
The Orwellian nature of the farm seems to turn the animals into "book burners"?
Kindest regards,G.
It is a relatively new twist so discovering their value is part of seeing how they play out I guess. They are a way to get more music up on the forum though I also appreciate people posting straight commercially produced video clips from the net. But anything that infuses extra music and brings us back to the core of it all is also potentially a good thing.
It’s probably also another point of sharing that might draw more people from sitting watching the forum without joining in. It would be good to open up more discussion about what people are hearing (rather than just what they are preferring) and if it also generates the owner of the system to find more voice on how to describe their own system as well if listeners discern things and put questions to them.
I figure they’ll fly or fall eventually largely if they are proven to have value (or not) and discovering what the value could be may be part of people here just trying them out.
The listeners are on a gamut from I think this one video qualifies as an entire system audition, to those who try to get characteristics of system and component over time through compares. This is no different from how different people treat hifi shows.
Okay. But it's such a fundamentally different sort of experience - at least for me. Sitting here at my computer listening to a video through the computer vs going into my room and listening to my system. I guess my mind set is different - direct experience vs indirect. Others can feel different about that, and that's fine. Even going to a room where you've never been to listen to a system you've never heard is hard - much less a distracting audio show - I need several visits.