I believe that a good portion of the Statement‘s „warmth“ is related to the PSU design (8 dedicated rails, etc.) and implementation. How does the Extreme compare in this regard?
I really wouldn’t describe the Statement as warm sounding per-se. With a Statement, the degree of warmth depends entirely on the recording. Some tracks have an incredible degree of warmth and beauty, but that very much depends on the instrument, how it was played, the venue it was played in and how it was recorded. From a PSU point of view, the design of the power supply does contribute to the overall sound of the Statement, with 4 overriding qualities:
1. A sense of purity and complete blackness, so what you get is a lot more of the very low level venue acoustics and fine structural detail making the soundstage more ‘cohesive’
2. Exceptional ease and dynamics. Part of whether music sounds real or not has to do with dynamics and natural note shape. The note has to sound like it originates from its ‘mother instrument’, so if the dynamics are lacking or wrong, that doesn’t happen. The note then blooms outward as the soundwaves expand then decays in its own individual acoustic and maybe reverberates, depending on the recording. When all that is correctly recovered music can sound incredibly realistic and vibrant.
3. Exceptional pace, rhythm and timing.....together with its dynamic nature, the system can REALLY boogie, practically bouncing you out of your listening chair as your body responds. The drive, propulsion and rhythmic interplay this system can generate can make listening to recorded music really great fun....indeed a joy!. This quality was enhanced with each additional power supply. Its the same quality that gets people up and dancing to live music.
4. A level of solidarity and density, like a 3 dimensional instrument is actually producing the music. Each instrument in the mix, whether foreground or background, loud or quite has an individual identity and timbre, which accompanies the instrument into silence, so no matter how quietly the instrument is played, if you can hear it, you’ll also hear its timbral spectrum.
How do I know this is in part due to the Statement’s PS? Because following the addition of a Zenith SE I added a further 3 DC3 LPSs to my network and the above notes were the overriding qualities I identified. At one point I replaced the DC3s’ DC cables with Neotech JSSG360 made by Ghent Audio. While there was nothing at all wrong with the OEM cables, the Neotech’s superior ultra high purity copper and improved shielding did bring improvements in yet further focus and greater soundscape texture, structural detail, cohesion and recovery of the higher harmonics.
So when you bring all the above together, what do you get? Far greater believability and listener involvement. The system grabs your attention and pulls you in with a single minded focus....the music communicating far more detail, inner beauty and meaning, with lots of information about the recording venue, real or engineered. There’s no question that the power supplies make a significant contribution to these aspects of the Statement’s performance.