Christiaan Punter
Well-Known Member
I'd been traveling lately and hadn't had a chance to have an extended listen until this week. My XDMS version is still from 11/18/22 and while there have been a number of control app updates, they are not supposed to provide sonic upgrades.
So I don't know whether my recent system hardware upgrades (replacing a damaged Taiko USB card, grounding equipment, and/or system setup) are starting to settle in, or there's hidden sonic gems in the control app updates, but damn...the level of transparency and emotional engagement took another significant leap forward since two weeks ago. I can now play at concert level volumes without any stress or fatigue - just more sonic texture. The artists' intent even more clear.
I am just so impressed with the continual improvements in the playback quality and the resulting level of enjoyment.
SO QUESTION: The Taiko team has made a number of hardware and (it seems now even more) software design choices that have resulted in significant improvements in playback quality. Curious about how the choices between options are decided? Are they made strictly from subjective (individual or group) listening sessions? With the same or various systems/rooms? Or are some objective measurements also included in the decision?
Great to hear the improvements. One additional question that I think (apologies if not) can be inferred from above post… has Taiko tested and heard incremental SQ benefits through each or some of the incremental control app upgrades since mid-November? Or are the SQ improvements primarily/solely come from the ‘back-end’ updates? (i too remain on 11/18 back end).
Fwiw xdms control app imho opinion is working so cleanly and effectively, I am encouraging my Taiko - xdms beta waiting - friends to jump on board. try it for the fantastic user interface but really for the phenomenal SQ.
Interesting question, keen to hear the answer too.
But my bet is that early on they found some factors that really affect sq- eg more processing, parallel processing, longer processing, reading from ram vs reading from hard disk, etc.
They then went about optimising for these factors with proper measurement of each release, with listening tests at longer milestones to confirm their ongoing hypotheses.
I don’t think it makes sense to listen again and again and again- development would take forever!
Actually, I have been listening to every release since the start. This is how we detected a degradation twice and could remedy the situation. But indeed, the culprit is normally in the backend, not the control software, although new functionalities in the latter can dictate changes in the former, that in turn could affect the sound quality.
From half of December 2022, I was on a short break and had to tend to various chores and projects, and have not been listening to XDMS during that time. Unfortunately, one of my speakers was recently bumped over and it requires a new woofer which has been ordered but will need running in. As a spin-off from that accident, some other system changes ensued which now make it pretty much impossible for me to compare before and after situations with regard to XDMS.
Nevertheless, starting Build 28, I will again make my sonic assessments via cross-comparisons with my other sources, and I will keep doing so.