If the Aeris control page has a button named "OMNIO" or something similar, try turning that off while leaving room correction on.
The room correction algos work to come up with coefficients that allow Wavelet to restore the ideal target function / frequency response including
(frequency, amplitude, phase and temporal) for the wavelaunch of each note from each driver, in your room.
It is quite common for all of us to adjust bass, mid-bass, midrange, punch, brilliance, low-treble contours (sometimes by as little as
a tenth of a dB at a time up or down to achieve specific playback personalities in a given room. You are at the beginning of a long
and good road of experimentation and discovery. You'll note that Wavelet 1 and 2 in your case give the ability to save off eight (8)
sets of contour combinations. The usefulness of this is obvious and can help you cope with particularly bright or dull recordings,
over-hyped bass, mid-bass etc...by having a saved contour set that can be used only for those types of recordings.
The room correction algos work to come up with coefficients that allow Wavelet to restore the ideal target function / frequency response including
(frequency, amplitude, phase and temporal) for the wavelaunch of each note from each driver, in your room.
It is quite common for all of us to adjust bass, mid-bass, midrange, punch, brilliance, low-treble contours (sometimes by as little as
a tenth of a dB at a time up or down to achieve specific playback personalities in a given room. You are at the beginning of a long
and good road of experimentation and discovery. You'll note that Wavelet 1 and 2 in your case give the ability to save off eight (8)
sets of contour combinations. The usefulness of this is obvious and can help you cope with particularly bright or dull recordings,
over-hyped bass, mid-bass etc...by having a saved contour set that can be used only for those types of recordings.