20 K poundsHow much are they?
I didn't find a price list...
20 K poundsHow much are they?
I didn't find a price list...
unless you want Woodstock levels they´re far too muchI just looked up the specs on the devor 16. 5’x5’ and 441 lbs. that would take some effort.
Its a cardioid sub this made + 15db at the front more then the back, geithain speaker made this principe over 30 years.the exciting about the Devors is their radiation pattern
they don´t excite room nodes as normal subs
in fact I stood behind the Devor 16 playing pretty load in Rainbow studio in Oslo and there was almost quiet behind it
so more of a direct sound that "hit"you
Its not about how loud. For me it is how deep it goes.unless you want Woodstock levels they´re far too much
2x23 will keep you busy however big volume you need to fill
and with finesse and speed
One spec usually not shown for HiFi subs is spl capacity, and if that capacity is available at the lower threshold... As Leif said this is useful not just to play loud but to allow one to dsp to the desired response and still have a huge amount of headroom.Its not about how loud. For me it is how deep it goes.
... TAS recently gave yhe G3’s a golden ear award. It is my understanding that the full review is forthcoming. ...
To summarize: How to get flat bass to 20Hz from Spacehorns
1. Stick them in the front corners and use the room modes to support the bass. Use positioning and DSP to flatten out the frequency response.
2. If you have the iTron you can turn the gain of the amp down to allow more headroom in the spacehorn. Then use the DSP to extend the bass output as above. (Shelf filter etc.)
3. If you are using an amplifier other than iTron then purchase multiple spacehorns to give sufficient headroom to flatten the bass to 20Hz
4. Purchase a very high quality 3rd party subwoofer to cover the range from 35Hz down to below 20Hz and integrate this.
Good to know and will be interesting how the 468s 475 watts power works with such high sensitivity (109db) speakers. They could easily work beautifully given the caliber of both. Just will be interesting if he chooses to rework the amplification over time given his extreme flexibility now.It's in Jacob's bio on Michael Fremer's Tracking Angle, so the information is secret no longer. I can confirm that Jacob switched from the Wilson WAMMs to the Trio G3s.
Jacob started with the darTZeel 468s. He is not using iTron. Through intermediaries I tried to suggest SET, such as Viva Aurora.
Good to know and will be interesting how the 468s 475 watts power works with such high sensitivity (109db) speakers. They could easily work beautifully given the caliber of both. Just will be interesting if he chooses to rework the amplification over time given his extreme flexibility now.
It's in Jacob's bio on Michael Fremer's Tracking Angle, so the information is secret no longer. I can confirm that Jacob switched from the Wilson WAMMs to the Trio G3s.
Jacob started with his darTZeel 468s. He is not using iTron. (I am not sure if this means he has the iTron enabled model and is simply choosing not to use it, or if he did not get iTron with his G3s.)
Through intermediaries I tried to suggest SET, such as Viva Aurora, Lamm ML3.
Not quite the first collation of components that one would consider as being particularly harmonious , the words etched somewhat springs to mind … Still one never knows etc .Interesting on how the Dartzeels compare to the itrons.
Also, interesting that he is using the dcs Apex instead of Wadax, just like the Avantgarde systems presented by the North American distributor (she has both dacs)
I tried to suggest through intermediaries that that likely would be a sonically unsatisfactory way to go. I believe AG needs very pure amplification -- not a lot, but very pure.
You state this " pure " as a fact Ron , regarding Viva Aurora, Lamm ML3 other Sets .
Its not , Its just an opinion that you and Ked and others propagate.