(...) I'll give a wee bit of pushback.
I believe high-contrast imaging, cut-out imaging - like those cheap plastic 2-dimensional toy soldiers from back in the day - sharply outlined images, etc. can come from equipment that causes or enhances the effect. Thanks to some reviewers, dealers who demonstrate it, and audio forums, some people try to achieve it from their stereos. And some of those who have are entertained by it or enjoy their systems that way - high definition outlines appearing in their head when they listen - it's a unique effect from their stereo.
Nice to know that the proclaimed whole industry, dealers and crowd of unhappy listeners are in reality just a few!
That the effect is not available listening to live acoustic music is simply not of a concern to them. Some people want their stereo to sound 'better' than the real thing, or at least different. Saying the preference is good or bad gets people stirred up. In the larger picture, preferences are not good and bad, positive or negative - they are preferences. Even if we think they are misguided because our values are different, none of us gets to say what someone else should like. Maybe what they should try, perhaps even urge conversion, but we're not the ones giving the verdict.
But yes, most people wisely do not want to compare the sound reproduction to live acoustic music. For them this is not the purpose of sound reproduction. It is a little more complex than that - oversimplification is sometimes very dangerous.
The misguided guys in the stereo affair are the high-end people if they try to judge others according to their particular preferences and beliefs. However if we want to have interesting discussions about our views and techniques to reach our preferences we must have a common terminology to address situations and preferences. 99% of our current discussions are pure semantics because a small group of people want to change the terminology used since long.
If you want to see a nausea inducing density of the word "natural" in audio reviews go back to the 80's and read reviews of the ESL63. Although these speakers have limitations, that are particularly relevant to rock or electronic music listeners, every review or comment praised about their natural imaging, natural soundstage, natural tone, natural transients, natural continuity, natural timbre, natural something else, but also
pinpoint three-dimensional imaging ...
I still own the ESL63. From time to time I re-connect them - and yes, I agree with all these people. If it was not for these few moments I want to listen a little louder or make a few audiophile experiences, including comparisons with my last perception of real live music
, I could happily live with two pairs of modified ESL63.
BTW, do not believe in people who tell you that because technically the ESL63 are dipoles room and distances to boundaries are not critical - I have found that these speakers will only shine in an appropriate room.