I was wondering the same. I have tried many switches and ended up with an Ansuz D3 and am very happy about it. As Christiaam Punter points out in his review, the difference are subtle but significant. A D-TC3 is out of budget, it did the job even better.
This D3 is in the same price category as your N1,
@Marcin_gps, and am sure both switches will perform well, although with other characteristics. Wondering how you would describe the differences between the two, might you have listened to an Ansuz PowerSwitch. Agree on the “el-cheapo power supply” in the D3, but am thinking to break the seal and put a Farad super 6 on it (or maybe one of your LPS’) and see what that will do. As already noticed by you and others, a decent LPS is a must.
As always, there are those that never tried a high quality audio grade switch and start to talk about prices, no added value, sneak oil and all of that. My ears are telling me differently and am happy to see we have members here that think alike, meaning a good audio switch is a must.
Maybe I can get some advice? My fiber connection (provider’s entry) is close to my front door and my listening room is 23 meter away, meaning there is a 23 mtr cat 7 Ethernet cable running to my listening room. I have tried media converters, an Uptone Etherregen, and other solutions to separate internet noise from my audio setup, but one way or the other, “glass” still felt a bit like “harsh”. I use a Meraki switch downstairs and use its SPF ports with Finisar modules and an Afterdark Media converter with an external power supply to “break the chain”, and run the 23 mtr Cat 7 form the media converter to my listening room. For the “last meters” I use high quality Ansuz Ethernet cables. According to many, 23 mtr Cat cable is not optimal but didn’t like the fiber running to my listening room either. Any suggestions please?