Had YG Carmel 2 and upgraded to 3. Not even comparable; an entirely different speaker and its insanely good. 87db so need to match it thoughtfully.
If you have a sub, no. If you don't, yesHas anyone compared the Talus with the Ascent? Is the Ascent worth the extra outlay? I've heard the Tor and the Talus and been impressed with both.
Had YG Carmel 2 and upgraded to 3. Not even comparable; an entirely different speaker and its insanely good. 87db so need to match it thoughtfully.
As far as I could hear, there is not a thing that hasn't been improved in Carmel 3 over 2.I'm considering the Carmel 2 -> 3 upgrade as well.
Did they improve the current transfer of the crossover? I understand the sensitivity remains the same. Although I think Stereophile measured the 2 at 85db. So, it needs power.
One of my "complaints" with the 2 is the fact that it needs a lot of amplifier for it to "come alive" if you will.
I was told the Reference 3 series improves this in many ways over the 2.
I really want to stick with YG as the new ownership and technical team there seems to be making improvements.
While at the same time respecting the intital investment from current YG owners. Eg. offering them an upgrade path.
Yes I've got a decent subwoofer already so it sounds like I should go with the Talus.
Trying to evaluate other members advice is not easy when you are pretty certain you you are almost there and an opportunity pops up a bit above the preferred budget such as the used Carmel 3 on USAM.Cleese there is a YG carmel 3 on sale deep discount USAM - great buy
Well said and definitely agree - YG Carmel 3 could be a speaker for 10-15 years and you would be happyTrying to evaluate other members advice is not easy when you are pretty certain you you are almost there and an opportunity pops up a bit above the preferred budget such as the used Carmel 3 on USAM.
That would be my choice over the Talus.
They work well in smaller rooms and well worth stretching the budget a bit to buy.
That one is on my list . Did you hear them on the Boulder ?I like Boulder with my YG XV2s so if I was looking for an integrated amp to drive Carmel 2 it would be the Boulder 866.
I heard the Carmel 3s at Capital Audio Fest with the Burmester 232 and it sounded great, one of the best rooms at the show. I think that amp is a lot more than your budget, at least here in the US. I don't know what it costs in the EU. I have had a Boulder 3060 driving my YGs since I got them in 2018. I have not heard the specific combination Carmel 2 and Boulder 866 but have heard the 866 several times. In my hearing, most speakers compared to the YG Reference speakers like the Carmel 2 have a slight smear, for lack of a better word, to the sound. That is either a bug or a feature, depending on the sound you want or the music you listen to, for me it is a feature. Boulder amps do the same thing. So you can either double up with Boulder and YG to maximize that clarity or choose different amps to get a different sound from the speakers. At Capital Audio Fest there was a room with YG Hailey 3 and Air Tight tube gear, that also sounded very good but quite different, a very "tube" sound. My favorite room at CAF was the Sonja 3.3 with Bel Canto Black amplification, all solid state. A "Goldilocks" middle ground sound was in the Vinnie Rossi room also with Hailey 3s, which was an integrated amp with a tube preamp and solid state amp section. The Vinni Rossi Brama integrated was about $34,000 as I recall. I don't want the middle ground, I optimize my system for classical music and seek maximum clarity. I want to the hear the strings in the string section, not just the string section. I am not trying to make Eva Cassidy sound extra pretty. So if I had Carmel 2 speakers, I would get the Boulder 866 on that budget, or spend a bit more and get the 812 and 861. But that's just me.That one is on my list . Did you hear them on the Boulder ?
I have the YG Hailey 2 and I have been switching between three amplifiers, the Boulder 866, Pass INT-25 and AGD Duet class D. All three amps work well with the Hailey 2. The Pass is limited in power for louder listening levels but it worked well for my nearfield listening - it has been almost a year since I tried the Pass and I need to try it again. I might have a slight preference for the AGD Duets with better imaging and detail than the Boulder 866. I'm using a PBD MPD-8 variable volume control with the AGD Duets (no preamp), and using the PBD MPD-8 DAC at fixed volume with the Boulder 866 volume control.That one is on my list . Did you hear them on the Boulder ?
Hi chuck, that is a very nice explanation of your findings between the amps. De Burmester 232 is around 17000€ without options , the Brama int.2 is to expensive . The Boulder is no problem . The question I have to answer for myself is What direction I like the most . So I have to take a discovery session at a dealer and take my own speakers to the store for a first direction . The only thing is that they don’t have everything .I heard the Carmel 3s at Capital Audio Fest with the Burmester 232 and it sounded great, one of the best rooms at the show. I think that amp is a lot more than your budget, at least here in the US. I don't know what it costs in the EU. I have had a Boulder 3060 driving my YGs since I got them in 2018. I have not heard the specific combination Carmel 2 and Boulder 866 but have heard the 866 several times. In my hearing, most speakers compared to the YG Reference speakers like the Carmel 2 have a slight smear, for lack of a better word, to the sound. That is either a bug or a feature, depending on the sound you want or the music you listen to, for me it is a feature. Boulder amps do the same thing. So you can either double up with Boulder and YG to maximize that clarity or choose different amps to get a different sound from the speakers. At Capital Audio Fest there was a room with YG Hailey 3 and Air Tight tube gear, that also sounded very good but quite different, a very "tube" sound. My favorite room at CAF was the Sonja 3.3 with Bel Canto Black amplification, all solid state. A "Goldilocks" middle ground sound was in the Vinnie Rossi room also with Hailey 3s, which was an integrated amp with a tube preamp and solid state amp section. The Vinni Rossi Brama integrated was about $34,000 as I recall. I don't want the middle ground, I optimize my system for classical music and seek maximum clarity. I want to the hear the strings in the string section, not just the string section. I am not trying to make Eva Cassidy sound extra pretty. So if I had Carmel 2 speakers, I would get the Boulder 866 on that budget, or spend a bit more and get the 812 and 861. But that's just me.