Yes, that all makes sense. And I remember speaking with Eric Pheils of Zanden a few years ago who did say that after so many years of investigation and detailed design, the 4-box digital was in Yamada-San's view (at that time 3-4 years ago) the best that he could get redbook.As you know Lloyd, the 5000 Signature has been discontinued long time ago, so I doubt it will be upgraded. Nevertheless we can speculate a new generation of Zanden digital products may be at the horizon after the Seikoh is introduced but my personal opinion is that there will be no digital from Zanden even after the Seikoh. Would be glad though if Yamada-san found a substitution for the legendary Philips TDA1541A S1 Double Crown chip and CDM-Pro2 Transport that he found irreplaceable until now...
Congrats. So is this a MC only phono amp? Can you use a SUT with it?
Yes it’s a MC phono amp but don’t think it needs any help with external SUT. I used cartridges with 0,3mV and less and had enough gain with low (54dB) gain setting and then there’s a high gain (64dB) option...Here’s a photo of tech. specs. that may help.Congrats. So is this a MC only phono amp? Can you use a SUT with it?
Here’s a photo of tech. specs. that may help.
You indicated the circuitry is fully balanced? You don't see many phonostages with XLR inputs. That's pretty cool. Since most cartridges are balanced devices, it gives the opportunity for a complete balanced system if other components are. Do you know if it has a 4 Pole volume control? I see you took the RCA option, which is fine. Do you run all single-ended Clear Beyond through to the Art?
64dB gain is near optimal, imo, and 54db would be fine with something like a 1.1mv output Master Sig. Several others offer 60db low and 70db high, the latter is on the too high side.
And plenty of opportunity for tube rolling (should you wish to get into that) with the 6DJ8-family.
Looks really nice, Marcus - congratulations. I'd like to try your new phono with your Zanden linestage and the Clear Beyond in my own system someday.
There is of course a difference in gain between low and high options, but I always choose the high (480ohm) input impedance (low - 54dB gain) input because it simply sounds better - cleaner to me and also don’t feel any need for more gain. Benz LP-S and Kuzma CAR 60 sound best (to me) with a bit higher (500-2000 ohm) impedance. But that’s only my opinion, other might think differently. I know one 1200 Mk3 ownwer that prefers the low (35ohm) impedance (high -60dB gain) position...64dB gain is near optimal, imo, and 54db would be fine with something like a 1.1mv output Master Sig. Several others offer 60db low and 70db high, the latter is on the too high side.