Are they an “improvement”? Of course they are and if you or anyone else had the Remastering process to use, you would use it in a way to make adjustments that “you” would considered an “improvement”. If your system playback is “perfect” then obviously there would be no changes required, but who here can claim that their playback is perfect and it’s 100% what they are after and will not make any further changes to their system?
“You tell us that your process is unique, but without detailed explanations of what you are doing, which you refuse to disclose” This is absolutely not true. In my “There is a smarter way” thread I walk you step-by-step on what I’m doing. I even numbered the steps. The only thing that I have not disclosed is the hardware that I used and how I sequence them, because frankly it’s irrelevant as I can do the same with other similar hardware, as I will be doing with a completely new set of components in my upcoming new Remastering process chain implementation.
“Are the videos convincing?”, why don’t you use your ears and listen to how much I was able to change the sound of my WAAR “system” with the “system” Remastering process. Brad said your system sound “thin” and lacks the weight and sound of the “Wood” cavity of the violin and piano, a couple of very minor adjustment to the Remastering process and the WAAR system was overflowing with Wood tones. That’s the power of the “system” Remastering process.
Think about it this way, if I were to come to your home and listen to your system and after a few minutes in the listening chair I tell you “it is lacking midbass slam”, there would be nothing you could do to add “midbass slam” to the musical presentation short of swapping speakers or the amplifier or something else that would be drastic and costly, and even more important there is no possible way that you could change anything to produce the “midbass slam” presentation that I wanted, but let’s just imagine for a minute that you had a very special amplifier in the room that you could swap in that actually produced the “midbass slam” that I want to hear and you swap that amp in, and a few minutes later I look back up at you again from the listening chair and tell you “yes, the amp improved the mid-bass slam but all the treble resolution and high-frequency detail heard with the original amp is now gone and the inner detail is now missing”. This is the typical life of an audiophile, you make improvements in one area at the expense of something else. With the “system” Remastering process I can surgically add “midbass slam” to my WAAR system without affecting the treble. The Remastering process also allows me to precisely dial in the level of midbass slam that I want.
You get the picture yet?
Are the videos convincing to your viewers, is the question.
Can you point to a specific post where you give explanations? Your thread has 9 pages. Thanks.
Your example above makes it simply sound like EQ. So is that it?