I just purchased
Shunyata Everest 8000 + Shunyata Omega XC power cable.![Smile :) :)](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
Shunyata Everest 8000 + Shunyata Omega XC power cable.
You really should audition the Horizonthe Shunyata’s Everest Turned out to be most surprising & delight in my Setup,
Fellow No. 31 owner here! Love em.A quick update to the system, guys. Rel Reference No. 31 is the newly-added member to my hi-fi flock. Expect a write-up on my impressions soon. Also, in the next few weeks I should have major NAT news in the thread as well.
Did you ever compare Magma with Transmitter from NAT?So, ladies and gents, new spaces new challenges! This is not the final setup, as the NAT Magma Evos are still very much in play, but as summer is creeping around the corner, I’ve decided to play it cool with my Soulution 710. To add the flavor of the tubes, we still have the NAT preamp, but on the DAC position we have a newcomer — Weiss Helios. BTW, I have Trafomatic’s Lara preamp coming in the near future, so expect a full report on the shootout between the Serbian hifi manufacturers!
“So why oh why is Horizon not in the setup?!”
I have one word for you — bass modes. That’s two words.
Anyway, so after moving in to my new space I’ve had the displeasure of coming across some seriously powerful room modes at around 35hz, which were literally driving me insane. The problem was MOSTLY alleviated with the powerful and amazing PSI AVAA C20 bass traps and later almost completely resolved with the new AVAA C214. For now I have two stacked in the most problematic corner while awaiting one more to arrive which will be placed at the opposite side of the room where there is still some (but not nearly as powerful) bass build up as I had in the corner I’ve already treated. Weiss Helios comes into play with its powerful DSP plugin which really does a wonderful job, and having also an integrated streamer support I have one less box to worry about in the system. Finally, I had to set the bass knobs at the back of the speakers to what is essentially the lowest -3db position, finally getting some sort of a balance in the sound. FYI, the room in terms of the cubic area is about three times the size of the previous room, but in the previous room I had a long hallway leading into the other side of the apartment which served as the most amazing bass trap ever. No such luck here.
Phew… stay tuned for more. Some pics to illustrate:
Nope, didn’t have a chance to try Transmitter. Dejan has been raving on recently to me about the new version of his hybrid amps — forget the name, I get lost in the myriad of different names — he tells me they are superb so I’ll likely try these here as I believe he told me they “only” dissipate some 320w. Forgive me I could be getting some of these details wrong but I’ll write more about it as I get em here.Did you ever compare Magma with Transmitter from NAT?
Ah yes, he calls them NuFET I think. Kind of like the Aries Cerat concept and you have a single stage amp.Nope, didn’t have a chance to try Transmitter. Dejan has been raving on recently to me about the new version of his hybrid amps — forget the name, I get lost in the myriad of different names — he tells me they are superb so I’ll likely try these here as I believe he told me they “only” dissipate some 320w. Forgive me I could be getting some of these details wrong but I’ll write more about it as I get em here.
Surprisingly, I found that, at least in my room, AVAA C214 simply did a better job. I feel that C20 was a little bit more unstable and prone to mic feedback than the digital model, which allowed me to crank up C214 to +6db. Plus, the convenience of being able to control all traps with an app does help when doing measurements and comparing the effects. So, overall, I think that C214 is a true step up. So much so that I had a relative bargain on the C20s, and I still picked the C214s at a “normal” discounted price. This is not to say that C20 isn’t a wonderful product, by all means it is, I just think C214 is a clear step up.Hi Thundersnow,
Sorry about the room mode. (Welcome to my listening room.)
Did you find there to be a significant difference in bass absorption/bass frequency reverberation time reduction between the PSI AVAA C20 and the new AVAA C214. (I thought the new C214 was mainly an improvement in convenience with a remote control, but the same underlying fundamental mechanism?)
Beautiful room, enjoy!So, ladies and gents, new spaces new challenges! This is not the final setup, as the NAT Magma Evos are still very much in play, but as summer is creeping around the corner, I’ve decided to play it cool with my Soulution 710. To add the flavor of the tubes, we still have the NAT preamp, but on the DAC position we have a newcomer — Weiss Helios. BTW, I have Trafomatic’s Lara preamp coming in the near future, so expect a full report on the shootout between the Serbian hifi manufacturers!
“So why oh why is Horizon not in the setup?!”
I have one word for you — bass modes. That’s two words.
Anyway, so after moving in to my new space I’ve had the displeasure of coming across some seriously powerful room modes at around 35hz, which were literally driving me insane. The problem was MOSTLY alleviated with the powerful and amazing PSI AVAA C20 bass traps and later almost completely resolved with the new AVAA C214. For now I have two stacked in the most problematic corner while awaiting one more to arrive which will be placed at the opposite side of the room where there is still some (but not nearly as powerful) bass build up as I had in the corner I’ve already treated. Weiss Helios comes into play with its powerful DSP plugin which really does a wonderful job, and having also an integrated streamer support I have one less box to worry about in the system. Finally, I had to set the bass knobs at the back of the speakers to what is essentially the lowest -3db position, finally getting some sort of a balance in the sound. FYI, the room in terms of the cubic area is about three times the size of the previous room, but in the previous room I had a long hallway leading into the other side of the apartment which served as the most amazing bass trap ever. No such luck here.
Phew… stay tuned for more. Some pics to illustrate:
I wanted a one-box streamer-DSP-DAC solution — primarily to combat the bass issues in the room and to have fewer boxes.What happened to the horizon?