QSA LANEDRI Series

Hi Steven,
Very glad yo see that there is a QSA Forum on WBF.
Congratulations!



I think I wrote the first QSA review on WBF, back in 2012.
:D

May I ask you two questions?

Firstly, I notice on you website that QSA-Lanedri cables are being launched.

May you tell us more about them?
What metals are employed and what special features do they have?

Secondly, several frds of mine in Hong Kong have bought QSA JitterPower.
IMG-20221230-WA0009.jpg

Again, please tell the WBF members more about these series of accessories.

Many thanks!

Cheers,
CK
 
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I was responding to “less than the impact of the slightest twitch of your head” to say that even such little differences can matter given the precision our hearing can resolve. If a sound arrives in as little as 10 microseconds later to our left ear than our right, we can detect that and factor it into exactly where the sound was coming from. Likewise when we hear improvements to our system that help us better pinpoint images in the soundstage it could be that fidelity has improved such that we are better able to perceive the timing differences baked into the recording. Without a good understanding of how our ears perceive sound, it can be difficult to know if small measured differences can matter.
Thank you.

Do you mean microseconds or milliseconds?
 
I was responding to “less than the impact of the slightest twitch of your head” to say that even such little differences can matter given the precision our hearing can resolve. If a sound arrives in as little as 10 microseconds later to our left ear than our right, we can detect that and factor it into exactly where the sound was coming from. Likewise when we hear improvements to our system that help us better pinpoint images in the soundstage it could be that fidelity has improved such that we are better able to perceive the timing differences baked into the recording. Without a good understanding of how our ears perceive sound, it can be difficult to know if small measured differences can matter.
Sound travels at about 340 m/s and it is generally accepted that sounds less than 10 µs cannot be told apart. In 10 µs sound travels about 3 mm.

We localise sound by the interaural time difference, a subject that has been researched for close to a century and has shown the maximum interaural time difference to be 660 µs. This makes sense because 660/3 = 220 mm, which is as near as dammit the distance between our ears.

So there is no doubt or misunderstanding that the speed of sound is absolutely critical to localising sound and it is almost certain to be the case that our hearing systems evolved around the speed of sound so we didn’t get eaten by predators.

The question is, given that signals travel down speaker cables about half the speed of light and possibly faster, and about 500,000 times faster than sound, why should the conductivity of a cable be of any consequence at all? Why should it matter whether the signal travels at 250,000 times or 500,000 times the speed of sound? It’s going to make absolutely zero difference at all.

There are certain electrical properties of speaker cables that are well known. For example, the manual for quad ESL 63 specifically tell the user to use cables with inductance below 1 µH. Naim amplifiers should use low capacitance cables or they can blow up. But conductivity? We’re talking picoseconds, which are hundreds or thousands of times below the level at which we can hear the difference between two sounds or that makes a difference to judgement of sound localisation.
 
P.s. on the issue of twitching your head, it does in theory impact sound localisation. What matters, however, is both how far you twitch your head and how fast. By my calculations, a twitch that would impact upon your localisation would likely require hospital treatment.
 
Hello ssfas,

What in your view is the significance of velocity of propagation in audio cables? Does the idea that different frequencies travel down the cable at different velocities, and that we can hear these differences in different cable designs, make any sense to you?
 
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The question is, given that signals travel down speaker cables about half the speed of light and possibly faster, and about 500,000 times faster than sound, why should the conductivity of a cable be of any consequence at all? Why should it matter whether the signal travels at 250,000 times or 500,000 times the speed of sound? It’s going to make absolutely zero difference at all.
Music is dynamic so what matters is that the rate of acceleration/deceleration is not harmed in any way as the signal travels down the cable. Ideally the cable would represent a purely resistive load, because an inductive loads store energy. Any energy that is left behind by one transient event can harm the fidelity of a transient that follows it. I’m already way out over my skies. What I’m simply trying to emphasize is that this is a complex problem so a simplistic take can never gain one a better understanding. I suspect that the increased conductivity might mitigate losses somehow, but I realize that arriving at the correct understanding is way above my pay grade because of the complexity involved.
 
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Hello ssfas,

What in your view is the significance of velocity of propagation in audio cables? Is the idea that different frequencies travel down the cable at different velocities make any sense to you?
My suspicion is that velocity of propagation in speaker cables makes no difference at all given how fast the signal passes down the cable. Even if one frequency travelled half as fast as another, both would still be travelling hundreds of thousands of times faster than the resulting sound.

I asked the question because it is a strange measurement to report for a speaker cable and I was wondering if it’s of any relevance at all. It occurred to me that if it was a big deal, why not just use shorter speaker cables?

I was asking the question in case someone knew why conductivity might be important, with a rational explanation. I contrasted above with the speed of sound propagation, which is critical to how we localise sound.
 
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Music is dynamic so what matters is that the rate of acceleration/deceleration is not harmed in any way as the signal travels down the cable. Ideally the cable would represent a purely resistive load, because an inductive loads store energy. Any energy that is left behind by one transient event can harm the fidelity of a transient that follows it. I’m already way out over my skies. What I’m simply trying to emphasize is that this is a complex problem so a simplistic take can never gain one a better understanding. I suspect that the increased conductivity might mitigate losses somehow, but I realize that arriving at the correct understanding is way above my pay grade because of the complexity involved.
I have no scientific training, so I can’t claim any intellectual superiority at all, which is why I asked the question.

Extending the response above, let’s say one part of the signal travels at half the speed of the rest, given that the speed of light is about 300,000,000 m/s, down a 3 m cable. The timing difference of arrival is still only a small fraction of a nanosecond. it would have to travel at least about 10,000 times slower to get into the territory of audibility.

Curiously, as I have an amplifier arriving this morning and it likes low capacitance cables, I asked the manufacturer of my cables for the measurements. I didn’t specify what measurements. They replied with the capacitance and inductance, with no mention of conductivity or resistance.
 
Can someone explain the science of these measurements? The design of a speaker or amplifier may require, for example, low inductance (Quad ESL) or low capacitance (Gryphon). The inductance and capacitance of this cable is pretty much the same as Belden 5T00UP (total cost $140 - this is the Gamma Infinity cable). The conductivity is allegedly twice as high as the Belden cable. However, signals pass down speaker cables at around half the speed of light for a fairly basic cable, which is about 500,000 times faster than the speed of sound. So any timing differences from propagation or conductivity would be less than the impact of the slightest twitch of your head. Do these Alpha people explain the purpose of their tests anywhere?

Excellent questions. To answer those questions better, you have to look at what they did prior to testing the QSA Lanedri speaker cable because the lengths they went to are insane and much respect to them because it answered lots of questions for me personally about cable measurements. Over a 4 month span, the Alpha Audio group tested (measured and listened to) 32 different interconnects and 32 different speaker cables! With the exception of the individual who was doing the cable swapping, the listeners were blinded to the cable they were listening to and further blinded to what these cables cost.



Beyond just L, C, and R, they measured such things as propagation time, propagation variance, spectral decay, effects of shielding, etc., just because they could and because they were curious how these measurements might impact sound quality and after measuring 32 different cables, they were able to draw some generalizations based on trends they observed and their findings are REALLY interesting.

With respect to propagation time, they ran this test just to see if it had an impact on sound quality and your intuition is correct when you said:

My suspicion is that velocity of propagation in speaker cables makes no difference at all...

If you go to the 15:47 mark on YouTube video I referenced above, they say pretty much the same thing.

If you keep listening, however, (16:00 mark on the video), he tells you that propagation variance does make an audible difference with respect to timing accuracy and so this touches on the point that @kennyb123 brought up. It turns out voltage has an impact on propagation time meaning with some of the cables they measured, applying a higher voltage resulted in greater propagation speed while in other cables, the propagation speed would go down. Then there were some cables where as the voltage went up, propagation speed would go up and as the voltage was raised further, the propagation speed would slow down and this variance is what was sonically audible. Here are cables that they measured and their propagation variances:

1722241713095.png

What they found was the higher the propagation variance, this consistently led to audible time smearing where the listeners noted difficulty localizing instruments compared with cables that didn't exhibit this variance. If you are a fan of Audioquest and timing accuracy is important to you, stay away from Black Beauty and go with their Thunderbird.

Here's something else they found to be important with respect to sound quality and that is spectral decay. What the hell is spectral decay, you ask? Yeah, I asked that, too. Go to 6:47 on the YouTube video and he explains it real well. It turns out this relates to bandwidth and what's crazy is they measured bandwidth with these cables up to 10MHz which is well beyond what humans can hear and yet the cables that were not as frequency linear into the MHz range consistently sounded drier, less airy, less open, and darker and these were consistent observations across all of the blinded reviewers. Now are these sound characteristics really due to a drop off in frequency response in the MHz range or are they due to some other property that happens to also limit high frequency bandwidth? That appeared to be his conjecture and he suggested that lower capacitance and higher bandwidth seemed to go hand in hand and so it may be higher capacitance that results in these traits.

Perhaps the group's most interesting finding after testing 32 different interconnects and 32 different speaker cables was that with interconnects, neither L, C, nor R reliably predicted SQ. With interconnects, R (resistance or impedance) shouldn't matter since these cables are already driving a a high impedance load and so it really should only come down to L and C. With speaker cables, they and others found that R by far has the greatest impact which I'll get to later. With respect to L and C, results get murky because it's a zero sum game between these 2. As you improve L, it usually is at the expense of C and so there is always a tradeoff and so they had cables that had very low inductance measurements that sounded one way and other cables that had higher inductance measurements that unexpectedly exhibited the same characteristics and so they were unable to draw any SQ trends with respect to L and C measurements.

With speaker cables, low measured R universally sounded better and this was by far the most important metric and I suspect this is what you will be told by most speaker manufacturers. This begs the question that if 10awg speaker cables sound good, shouldn't 8awg sound better and 4awg better yet? I'm not an electrical engineer but apparently, there is an engineering dictum that suggests that if a speaker cable accounts for roughly 5% or less of the total impedance load of a speaker (which generally vary between 1.5-12 ohms for most speakers), then 8-10awg is all that any speaker cable needs to be to become sonically "invisible" with respect to R and the bigger you go, the greater the self-inductance of that cable which becomes self-defeating and so this is presumably why you generally don't see speaker cable manufacturers making speaker cables larger than 8-10awg. Obviously, Shunyata (who makes an expensive and highly respected 4awg speaker cable) and Tara Labs (who makes a much more expensive and even more massive 000awg cable) don't agree with this philosophy although they incorporate very thoughtful and sophisticated geometries to overcome the downsides of ultra large gauge wire. Having heard both manufacturers' very fine speaker cable offerings, it's clear to me that an 8-10awg speaker cable is not sonically invisible with respect to R. At that small gauge, imho, you are simply not hearing the full potential of your electronics.

As I've stated in previous posts, I have no knowledge of what QSA's treatment entails and like many of you, I am bothered by claims that the treatment supposedly alters wire at the quantum level without offering objective proof because they really sound quite ludicrous but at the same time, once you hear an Ultimatum cable, what you hear defies logic. The QSA Lanedri Ultimatum speaker cables are 0000awg and are the largest speaker cables being offered in the audiophile sector that I am aware of. They should have ultra low R and so I was not surprised to find their measured R is indeed extremely low (and guaranteed to be easily audible). Yes, it has VERY low capacitance (2-3x better than the Belden/Iconoclast wire per their measurements) but if that is true, according to the laws of physics, it should also have very high inductance and yet the inductance measurements for a wire this big are surprisingly and unexpectedly low despite the fact that no special geometry is used. On top of that, this cable uses inexpensive tinned copper wire. By audiophile engineering standards, this is not a cable that should sound good.

Here is a YouTube video of the Alpha-Audio group listening to the Ultimatum speaker cables for the very first time.


What is important is not the quality of the recording which isn't great but rather the Alpha Audio reviewer's first impressions. For context, having followed this group for some time, they are not prone to making hyperbolic statements. In their review of 32 different speaker cables with some cables costing as much as 22k Euros (performed before they reviewed the QSA Ultimatum speaker cables), they found speaker cables to make only a small difference and that interconnects made a much bigger difference in their setup. I think their comments on the video say it all. It's exactly how I felt when I first experienced these cables.
 
I finally got around to swapping the Ultimatum Infinity Power Cord from the Aries Cerat Ageto to my Lucas Audio LDMS Music Server. I was surprised by the results. It was an immediate uptick in detail, body, musicality and soundstage. Anas, you were right, there is a major impact on the Music Server.
 
I finally got around to swapping the Ultimatum Infinity Power Cord from the Aries Cerat Ageto to my Lucas Audio LDMS Music Server. I was surprised by the results. It was an immediate uptick in detail, body, musicality and soundstage. Anas, you were right, there is a major impact on the Music Server.
Will,

Wait until you experience the cumulative effect of powering your router, server, and preamp with the Ultimatum Infinity power cables. Whatever you could expect based on your current experience will be exceeded.
 
I am located in the USA.

My power amp uses a 20A plug. Every other component I own is 15A. I've typically used a Voodoo Cables 15A to 20A adapter, so I can use the more commonly available 15A power cords.


If I bought a 15A Gamma Infinity, and used it with the Voodoo adapter, would this adapter materially degrade the sound? In other words, is it important to stick with a 20A Gamma Infinity for my amp?
 
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I am located in the USA.

My power amp uses a 20A plug. Every other component I own is 15A. I've typically used a Voodoo Cables 15A to 20A adapter, so I can use the more commonly available 15A power cords.


If I bought a 15A Gamma Infinity, and used it with the Voodoo adapter, would this adapter materially degrade the sound? In other words, is it important to stick with a 20A Gamma Infinity for my amp?
For amplifiers, we recommend the Spectra series, while the Ultimatum series will completely transform your music experience. If your goal is to start with the Gamma Series to explore its impact, I suggest opting for the 15A model. This way, you can use the Gamma Infinity power cables with the components that have lower current consumption.
 
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What equipment were being used?
+ Ultimatum Infinity Speaker cables feeding the hORNs Overture speakers
+ Ultimatum Power Distributor
+ 4 Ultimatum Infinity Power cables feeding the Chord Dave DAC (with stock power)
+ Balanced Audio Technology VK-53SE Preamplifier
+ Taiko Extreme Server
+ Balanced Audio Technology VK-75SE
+ Gamma Infinity USB cable
+ 2 Ultimatum Infinity XLR connects
+ Ultimatum Infinity Ethernet cable
 
I am no stranger to Anas's line of QSA-Lanedri cables, and have a collection of Gamma and Spectra Infinity power cables already in my system. But when it comes to USB cables, I thought I had already achieved my end game, with the Shunyata Omega USB cable. This cable had (closely) edged past my long-time reference, the Sablon Evo USB, and I expected to live happily ever after (for audiophiles, this is anything over 2 years :)) with this cable.

Then Anas (the troublemaker!) sent me a production prototype of his Gamma Infinity USB cable to try. This thing arrived just before I was setting off for 2 weeks to SE Asia, so by the time I returned, it had burned in nicely.

Once I started to listen, I realized I had found my new reference USB cable! It surpasses the Shunyata Omega USB, and not by a small margin. What I have found with USB cables is that what you get with every step up the quality ladder, is more air, a bigger soundstage, and more instrument realism. Incredible as it seemed, this is what the GI USB was giving me, even over the already impressive Shunyata Omega! Instruments became more palpable, more fleshed out, and more realistic.

But there was more. The Shunyata had brought a slightly darker tonality in my system, which the GI USB reversed. With the GI, there was an additional openness and clarity that drew me even further into the music. The impact of these improvements was to bring a sense of effortlessness and ease to the music in a way that is almost hypnotic.

I still don't know what the QSA treatment does to these cables in terms of its electromagnetic properties, but whatever it is, it sure does good things to the SQ.

Simply put, this Gamma Infinity is the best USB cable I have heard to date, considerably surpassing my two previous references, the Sablon Evo and Shunyata Omega USB.

Well done, Anas!
 
I am no stranger to Anas's line of QSA-Lanedri cables, and have a collection of Gamma and Spectra Infinity power cables already in my system. But when it comes to USB cables, I thought I had already achieved my end game, with the Shunyata Omega USB cable. This cable had (closely) edged past my long-time reference, the Sablon Evo USB, and I expected to live happily ever after (for audiophiles, this is anything over 2 years :)) with this cable.

Then Anas (the troublemaker!) sent me a production prototype of his Gamma Infinity USB cable to try. This thing arrived just before I was setting off for 2 weeks to SE Asia, so by the time I returned, it had burned in nicely.

Once I started to listen, I realized I had found my new reference USB cable! It surpasses the Shunyata Omega USB, and not by a small margin. What I have found with USB cables is that what you get with every step up the quality ladder, is more air, a bigger soundstage, and more instrument realism. Incredible as it seemed, this is what the GI USB was giving me, even over the already impressive Shunyata Omega! Instruments became more palpable, more fleshed out, and more realistic.

But there was more. The Shunyata had brought a slightly darker tonality in my system, which the GI USB reversed. With the GI, there was an additional openness and clarity that drew me even further into the music. The impact of these improvements was to bring a sense of effortlessness and ease to the music in a way that is almost hypnotic.

I still don't know what the QSA treatment does to these cables in terms of its electromagnetic properties, but whatever it is, it sure does good things to the SQ.

Simply put, this Gamma Infinity is the best USB cable I have heard to date, considerably surpassing my two previous references, the Sablon Evo and Shunyata Omega USB.

Well done, Anas!
Thank you, Rajiv, for your feedback! it's always a pleasure to read your thoughts. It took us over two years of R&D to develop the Gamma Infinity USB cable, and we're thrilled to hear your impressions.

As with all our new products, we're offering a special launch discount for the first 50 orders, pricing this GI USB cable at $3,000 USD with the money-back guarantee if it doesn't exceed your expectations and become the new reference USB cable in your setup!
 

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