Mike, I'm sure you have vastly covered your impressions of Herzan here, but if you were to name
one most important factor of this delta what it would be?
Thanks,
Jarek,
I apologize for missing this question earlier.
i'll cite two things, one of which is degree of need, the other a musical attribute. (I apologize to those who have read me reference these issues in prior posts)
I have a 7 foot tall, 750 pound, active bass tower, that is (on paper) -3db @ 7hz and -6db @ 3hz standing 6 feet from my gear rack with a Turntable on top of it (the rack , not the speaker
). 5 inches from the bass tower is 7 foot tall, 750 pound, main tower which has -4- 11" woofers going up to 250hz. so that is a whole lot of low frequency air (with 2500 watts (per side) on tap behind it) and structure movement occurring very close to my source gear. when I got these speakers a little over 4 years ago mysteriously at the same time, female vocals started distorting on my turntable and other similar occurrences that had never happened before. (this groove distortion was only the most manifest of a number of effects of the more dynamically capable speakers). it was infrequent enough that I did not connect the dots as to what was the cause. in 3 or 4 cases I assumed I had purchased a bad pressing and repurchased another one.....which, of course, had the same issues. my turntable had it's own passive isolation table that I liked.
but 10 years prior I (in 2002) had had a Halcyonics active isolation table in my system, for 1 night, and had been blown away by it. so it was always in the back of my mind to acquire one for myself. I knew about Herzan, knew that they spec'd a bit better than the Halcyonics, and so I did order a TS-140 from Reid at Herzan. it arrived, I installed it......and no more distortion on those tracks (among many other benefits).
I needed maximum isolation; I needed the Herzan due to my room/set-up. to me these type products are contextual.....they earn their keep to different degrees in different systems. they always bring their benefits, but some systems get a higher ROI on those benefits.
'a' musical attribute that the Herzan brings that is very significant (I cannot say which attribute is most important....this is but one of them) is the utter ease and effortlessness it brings to full tilt boggie musical peaks on Lps, and my system can really lay the wood when called on without any dynamic limitations. the 'cringe' factor (my shoulders and jaw do not tighten) does not exist in my system as I'm always confident that any musical thread will sail through and fully develop. it (sometimes dramatically) changes your reference as to how a track is suppose to sound.
it's a thing to behold, which I enjoy.....beholding.
there are other things I like.......