Bruce, if you find a way how to make vibrations go in one direction but not in the opposite, I think you will be a strong
candidate for a Nobel prize![]()
Adyc, not sure what you mean by platforms being in the same frequency range as subs.
If the platform resonance is within the sub effective range this is asking for trouble
due to the resonance.
I havent checked that yet, but what I suspect is that the most of the subs movement is lateral
so roller bearings should be ideal here.
BTW, check your PM![]()
I do believe the speaker-floor interface, ruled now by spikes, should be given a fresh
look. I think its much more important to cut the speakers from exciting the floor than chasing the Doppler effect.
Spikes do not do that - whatever you think they do not act as a diode.
What I'm saying is that these platforms claim to provide isolation up to 200 Hz or more. These platforms may help to reduce subwoofers self vibrations, right? I thought you are suggesting to use your platforms under speakers to reduce self vibrations. It maybe easier to move subwoofers rather than speakers.
interesting video demos
https://m.youtube.com/watch?v=ybx5t53Ixtk
https://m.youtube.com/watch?v=RD-NK4mYG9A
https://m.youtube.com/watch?v=reYtUNLXvt8
Hmmm. . . . These demos are so impressive it makes me think that maybe the concern about a suspended turntable on an isolation table is misplaced.
Cool vids Ron - thanks for sharing. The IVF vid made me thinking about a cartridge and how the tip would behave pre and post isolation - amazing.
my TS-150 and TS-140 sound like those videos look like they should sound.
and your intuition and previous reference is not prepared for the delta of change.
Mike, I'm sure you have vastly covered your impressions of Herzan here, but if you were to name
one most important factor of this delta what it would be?
Thanks,
a' musical attribute that the Herzan brings that is very significant (I cannot say which attribute is most important....this is but one of them) is the utter ease and effortlessness it brings to full tilt boggie musical peaks on Lps, and my system can really lay the wood when called on without any dynamic limitations. the 'cringe' factor (my shoulders and jaw do not tighten) does not exist in my system as I'm always confident that any musical thread will sail through and fully develop. it (sometimes dramatically) changes your reference as to how a track is suppose to sound.
Ked, I suspect what Mike means is that even w his room so stellar as you've reported, a tt literally only a few feet from 4x15" <15Hz woofers, must have previously been deleteriously affected
The proof of the pudding being this extra ease since the Herzan went under
His tt is adjacent to 4x15" front firing subs
Mine is adjacent to 2x12" down firing subs
On paper at least, my tt will like Mike's be contending w a LOT if bass energy
And my subs to 16Hz are down firing into the flr which obv to a greater or lesser extent be coming up under the tt
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