which is why i had an interest. my system can take full advantage of a big bold sound.The dammed thing sounds great though ! Big sound, probably great in your system !
someday. sigh.
which is why i had an interest. my system can take full advantage of a big bold sound.The dammed thing sounds great though ! Big sound, probably great in your system !
yes.......it will be interesting......if.....it ever happens.
my Io Eclipse arrived at Aesthetix in California on March 15th for the voltage conversion, addition of second phono input, plus upgrade to the output caps. my original expectations were that work would start fairly soon after arrival......but to be fair i had not pinned that down. but when i had contacted Aesthetix there was no warning of any long delay for this work. at that point i did specifically ask when the work would start i was told in about 30 days, mid-April. ok fine.
had not heard anything so inquired around April 25th (6 weeks later) how were things going? at that point i was basically told "we will get to it when we get to it" .
a month later (mid May) i inquired but could not get an email answered or a phone call returned. so i reached out to a friend who knows them well who lives in SoCal to intercede, and that night i did get an email that my unit would be worked on soon (would i have ever heard from them without my friend's help?).
now........three weeks later i've heard zippo.
i bought my unit in early March in good faith that i would get fair treatment from Aesthetix. so far i would say they are a train wreck. i've bought many things over many years and been as good a customer for every product i've ever owned as could be. referred hundreds of customers to dozens of companies. happily demo'd products for any company that asked me to. i'm the best customer most of these company's have ever had. i'm all in on the gear i own.
never had any experience quite like this. and to be very clear, i have never before publicly complained about service of hifi gear. professionally i'm GM of an auto dealership and handle all the toughest customer situations. so i get both sides of this sort of thing.
when (if) it does arrive, i will certainly report what i hear.
yes.......it will be interesting......if.....it ever happens.
my Io Eclipse arrived at Aesthetix in California on March 15th for the voltage conversion, addition of second phono input, plus upgrade to the output caps. my original expectations were that work would start fairly soon after arrival......but to be fair i had not pinned that down. but when i had contacted Aesthetix there was no warning of any long delay for this work. at that point i did specifically ask when the work would start i was told in about 30 days, mid-April. ok fine.
had not heard anything so inquired around April 25th (6 weeks later) how were things going? at that point i was basically told "we will get to it when we get to it" .
a month later (mid May) i inquired but could not get an email answered or a phone call returned. so i reached out to a friend who knows them well who lives in SoCal to intercede, and that night i did get an email that my unit would be worked on soon (would i have ever heard from them without my friend's help?).
now........three weeks later i've heard zippo.
i bought my unit in early March in good faith that i would get fair treatment from Aesthetix. so far i would say they are a train wreck. i've bought many things over many years and been as good a customer for every product i've ever owned as could be. referred hundreds of customers to dozens of companies. happily demo'd products for any company that asked me to. i'm the best customer most of these company's have ever had. i'm all in on the gear i own.
never had any experience quite like this. and to be very clear, i have never before publicly complained about service of hifi gear. professionally i'm GM of an auto dealership and handle all the toughest customer situations. so i get both sides of this sort of thing.
when (if) it does arrive, i will certainly report what i hear.
Dear all, time to wake up. No-one is contributing. I hope it is due to everyone enjoying music. And not the boring sheet of numbers I posted above.
Here are some points, from reading our thread.
- Cartridge output - Kcin, Oldvinyl, myself and others - we all agree that the Io "likes" higher output cartridges, like 0.4 and above, although some seem to get 0.2 carts to work OK without noise problems or the cart sounding too anemic or weak. - I am not fully convinced. Remains to be clarified.
- Tubes - most agreee, NOS sounds better, and all agree that the first gain stage (v1-2) is the most crucial regarding the sound. Some argue that stock new production sounds (almost) as good as NOS, and besides, you can stop worry about tube life, since these are cheap.
- Noise level - general agreement that new production 12ax7 tubes, or at least selected ones (e g by Aesthetix) can be very effective, reducing tube noise in the first gain stage (especially), thereby allowing lower output carts.
- Umbilicals - few have tried. Possibly a marked improvement.
- Balanced phono cable - relatively few have compared (?), but opinion seems to be: no great improvement. No wonder, maybe, since gain stage one is single ended (but then, why the XLR inputs?).
- Connect the Io direct to the amp(s), or use a preamp in between - opinions are divided, but it seems that, those who have tried a high quality preamp in between stick to that solution.
- Kcin mentioned, preamp or direct is "system dependent", and I agree. The speaker / room integration comes into it too. I my case, I traded the "very pure" sound of the Io direct to my amps, for the "more muscular" sound through the Einstein preamp, and this also had to do with my rather large room, which the preamp helped fill with music, to a better extent than the Io direct to the amps.
- It is some years since I tested. I did get an impression that "something" was better, even regardless of room size or gain, with the Io signal passing through a good preamp on its way to the amps. I felt that the Io alone was somewhat thin, or even "ghostly". But this was only after several years, using it as stand-alone preamp. At first I did not notice.
- Cart loading - unresolved. Different results. Main result: everyone finds some workable setting that sounds fairly good.
- Basics – start from good electricity and a stable foundation, and go on from there. The Io loves a dedicated line and a highly stable shelf. Next, you can explore power cables, feet, etc.
- Don’t overdamp the room – good advice from Audioquest4life. If something sounds harsh or glaring, check other possible errors, further up in the sound chain (like, cartridge alignment).
From my experience, these are the factors that favorably affect the Io:Dear all, time to wake up. No-one is contributing. I hope it is due to everyone enjoying music. And not the boring sheet of numbers I posted above.
Here are some points, from reading our thread.
- Cartridge output - Kcin, Oldvinyl, myself and others - we all agree that the Io "likes" higher output cartridges, like 0.4 and above, although some seem to get 0.2 carts to work OK without noise problems or the cart sounding too anemic or weak. - I am not fully convinced. Remains to be clarified.
- Tubes - most agreee, NOS sounds better, and all agree that the first gain stage (v1-2) is the most crucial regarding the sound. Some argue that stock new production sounds (almost) as good as NOS, and besides, you can stop worry about tube life, since these are cheap.
- Noise level - general agreement that new production 12ax7 tubes, or at least selected ones (e g by Aesthetix) can be very effective, reducing tube noise in the first gain stage (especially), thereby allowing lower output carts.
- Umbilicals - few have tried. Possibly a marked improvement.
- Balanced phono cable - relatively few have compared (?), but opinion seems to be: no great improvement. No wonder, maybe, since gain stage one is single ended (but then, why the XLR inputs?).
- Connect the Io direct to the amp(s), or use a preamp in between - opinions are divided, but it seems that, those who have tried a high quality preamp in between stick to that solution.
- Kcin mentioned, preamp or direct is "system dependent", and I agree. The speaker / room integration comes into it too. I my case, I traded the "very pure" sound of the Io direct to my amps, for the "more muscular" sound through the Einstein preamp, and this also had to do with my rather large room, which the preamp helped fill with music, to a better extent than the Io direct to the amps.
- It is some years since I tested. I did get an impression that "something" was better, even regardless of room size or gain, with the Io signal passing through a good preamp on its way to the amps. I felt that the Io alone was somewhat thin, or even "ghostly". But this was only after several years, using it as stand-alone preamp. At first I did not notice.
- Cart loading - unresolved. Different results. Main result: everyone finds some workable setting that sounds fairly good.
- Basics – start from good electricity and a stable foundation, and go on from there. The Io loves a dedicated line and a highly stable shelf. Next, you can explore power cables, feet, etc.
- Don’t overdamp the room – good advice from Audioquest4life. If something sounds harsh or glaring, check other possible errors, further up in the sound chain (like, cartridge alignment).
A couple thoughts-Back to basics....
Thanks to Kcin, and others - we are close to agreeing on a "user item list", great!
Now, for THREE basic things that will improve the sound of the Io (and the system).
That you can do yourself, without too much cost.
1 Get a dedicated line. The Io (and the other quality parts of your system) will smile, each day after. It may be a bother to install, the electrician may be expensive, and so on - I did it, and I have never looked back. No comparison.
2 Support your system, especially, the record player, and the phono preamp. Avoid vibrations.
I live in a wooden house, with a floor that needs supports from below. I am lucky to have access to the cellar below. This is how I did it.
View attachment 78825
I hammered these beams into place, so they stopped floor vibrations. Result: I can jump up and down in front of the player. No mistracking.
3 Stop room reflections but don't overdamp. In my case, a fairly large room, side wall reflections are not so troublesome. There are some problems with the naked floor, and the plaster ceiling. Reduced by a carpet and some ceiling damping. I first "overdamped" the ceiling, but found that a smaller patch was better.
View attachment 78826
I am just a nobody in this hobby. Let me share my experiences. I sent my Io unit to Aesthetix in October 2020 for an Eclipse upgrade and received it just before the holiday break in December. Prior to that, years previously, while I was stationed in Europe I had sent my unit back for a check up using the Armed Forces Post Office box (APO). This is essentially a means to mail via US carrier through New York to anywhere in the US. It took a little longer for me to receive the unit back to me in Europe, about 4 solid months. The wait was worth it…man, this blew away the ASR, Einstein, Burmester, Pass Labs, Octave, and Batt phono stages I had tested before settling on the Aesthetix. Those are my own listening impressions.yes.......it will be interesting......if.....it ever happens.
my Io Eclipse arrived at Aesthetix in California on March 15th for the voltage conversion, addition of second phono input, plus upgrade to the output caps. my original expectations were that work would start fairly soon after arrival......but to be fair i had not pinned that down. but when i had contacted Aesthetix there was no warning of any long delay for this work. at that point i did specifically ask when the work would start i was told in about 30 days, mid-April. ok fine.
had not heard anything so inquired around April 25th (6 weeks later) how were things going? at that point i was basically told "we will get to it when we get to it" .
a month later (mid May) i inquired but could not get an email answered or a phone call returned. so i reached out to a friend who knows them well who lives in SoCal to intercede, and that night i did get an email that my unit would be worked on soon (would i have ever heard from them without my friend's help?).
now........three weeks later i've heard zippo.
i bought my unit in early March in good faith that i would get fair treatment from Aesthetix. so far i would say they are a train wreck. i've bought many things over many years and been as good a customer for every product i've ever owned as could be. referred hundreds of customers to dozens of companies. happily demo'd products for any company that asked me to. i'm the best customer most of these company's have ever had. i'm all in on the gear i own.
never had any experience quite like this. and to be very clear, i have never before publicly complained about service of hifi gear. professionally i'm GM of an auto dealership and handle all the toughest customer situations. so i get both sides of this sort of thing.
when (if) it does arrive, i will certainly report what i hear.
You have made major improvements with the tweaks you did. Thanks for posting the pictures of how you were able to add support beams below the floor to strengthen and reduce vibrations. Your listening spot looks inviting compared to my cave in the Basement. We have a very similar piano, Yahama gloss red.Back to basics....
Thanks to Kcin, and others - we are close to agreeing on a "user item list", great!
Now, for THREE basic things that will improve the sound of the Io (and the system).
That you can do yourself, without too much cost.
1 Get a dedicated line. The Io (and the other quality parts of your system) will smile, each day after. It may be a bother to install, the electrician may be expensive, and so on - I did it, and I have never looked back. No comparison.
2 Support your system, especially, the record player, and the phono preamp. Avoid vibrations.
I live in a wooden house, with a floor that needs supports from below. I am lucky to have access to the cellar below. This is how I did it.
View attachment 78825
I hammered these beams into place, so they stopped floor vibrations. Result: I can jump up and down in front of the player. No mistracking.
3 Stop room reflections but don't overdamp. In my case, a fairly large room, side wall reflections are not so troublesome. There are some problems with the naked floor, and the plaster ceiling. Reduced by a carpet and some ceiling damping. I first "overdamped" the ceiling, but found that a smaller patch was better.
View attachment 78826
Jim did reach out to me, apologized for the communication issues, and will be in touch with me this week to get this going.I've made Jim aware of this thread and Mike's dilemma--
he just replied he will personally contact Mike and sort his upgrade forthwith.
BruceD
I agree about the ASR mini Basis, it is a sleeper phono stage and a bargain for the cost. Interestingly, I tested the ASR mini Basis years ago and thought it was a great little phono stage. The battery power supply is a fantastic idea.I am in the group with "very long waiting times", almost one year, waiting for Aesthetix repair in 2018, yet I would not hold this, against the company. Part of it was trouble finding the exact cause of the problems, it turned out, the volume controls had to be changed. Also, shipment across the atlantic.
What I did, meanwhile, was to buy a good medium-low price phono stage. So I could play LPs while the Io was on repair.
I was amazed - the sound philosophy in the phono stage I bought, seemed to be very similar to what I had heard from the Io eclipse. This was the ASR mini basis mk2. After trying some less expensive phono stages, that did not make it, I paid ca 500 usd for the ASR (used). Here we are up in the medium class. This is an interesting and partly over-achieving phono stage.
The ASR mini basis helped me play LPs and overcome my worries, waiting for the Io to come back. But I should add: when the Io finally did come back, it said "hello" in a way totally beyond the ASR. Back to big brother. A much fuller representation of the music.
Oystein