American Sound, "The Absolute Nothing"

…for others it (vintage gear) may simply be because specific vintage components are judged to sound better than their contemporary alternatives.
That is certainly the case with me. While many of my components are old, that’s not why I chose them. The fact my woofers were made in 1947 is something I find amusing, even amazing really, but the reason they’re in my speakers is they sound the best of any woofers I’ve tried.
 
"Talking your book" is a Wall Street expression which refers to touting named stocks in one's portfolio. If I were "talking my book" here I would have related Clarisys Audio speakers to vintage speakers, but I wrote no such thing. As the term is generally used there is no "talking your book" if you don't mention your particular stock.

Okay. Yes I know how the phrase derived. You are being a tad finnicky to deflect. Go a little broader from 'clarysis model' to 'new equipment'. Poetic license, etc. Your dealership sells new equipment and you do not sell vintage. You were talking about equipment aging in a conversation about vintage gear. As a dealer of new equipment I understand your desire to encourage aging.
 
Okay. Yes I know how the phrase derived. You are being a tad finnicky to deflect. Go a little broader from 'clarysis model' to 'new equipment'. Poetic license, etc. Your dealership sells new equipment and you do not sell vintage. You were talking about equipment aging in a conversation about vintage gear. As a dealer of new equipment I understand your desire to encourage aging.

This is how I read Ron’s comments too. He actually used the loaded term “decay”. Well, my speakers from the late 50s have not decayed and my vintage cartridges have not decayed.

Buying, preferring, and discussing vintage gear is it odds with the interests of the mainstream audio industry. I understand where Ron is coming from.
 
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This is how I read Ron’s comments too. He actually used the loaded term “decay”. Well, my speakers from the late 50s have not decayed and my vintage cartridges have not decayed.

Buying, preferring, and discussing vintage gear is it odds with the interests of the mainstream audio industry. I understand where Ron is coming from.

I don't think mainstream audio and vintage should be at odds given the robust used marketplace. There is competition for each dollar. Dealers found they need to take trade-ins to make a new sale. I suppose used is a prelude to vintage.

I'm actually not sure what counts as vintage. Is it 25 years to get an antique car license plate? I don't know much about wine but I thought vintage was the year the wine is ... what ... bottled? BobV will know. Not specific to a trade, 'vintage' sounds like it belongs to something made before WWII.
 
He actually used the loaded term “decay”.
"Loaded"? Wow, you are reaching!

Yes, decay is a reasonable description of what happens to electrolytic capacitors.

Well, my speakers from the late 50s have not decayed
How would you even know?

Here is a simple yes or no question: Does your Vitavox CN191 use an electrolytic capacitor or a carbon composition resistor?
 
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"Loaded"? Wow, you are reaching!

Yes, decay is a reasonable description of what happens to electrolytic capacitors.

And the glues in wood speaker cabinets? Corpses decay.

How would you even know?

Here is a simple yes or no question: Does your Vitavox CN191 use an electrolytic capacitor or a carbon composition resistor?

Well, you seem to think they have decayed. But if the speaker has now decayed after 65 years and.I still prefer it to the modern alternatives, imagine what it most have sounded like when new. How much progress has the industry made in 50-60 years?

I do not know about the capacitor or resistor in my crossovers.

I get your position.
 
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"Loaded"? Wow, you are reaching!

Yes, decay is a reasonable description of what happens to electrolytic capacitors.


How would you even know?

Here is a simple yes or no question: Does your Vitavox CN191 use an electrolytic capacitor or a carbon composition resistor?

Its easy to replace these if gone bad.
With a similar high quality cap or resistor of the same value.

David did a refurbishment of Tangs Horns , i assume this is part of the refurbishment ??
Same applies for the Vitavox i reckon .

If have 3 tapemachines from the Sixties / seventies .
Critical caps/ Resistors etc were replaced professionally in 2020 , still topnotch sound
 
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These nostalgia analogies don't make any sense, nostalgia might exist for a vintage audio component from the 50s and for vinyl till 60s only for the active audiophiles alive from that era. For the rest, it is new and based on performance, not nostalgia.

Cars and computers are different, my guess is that most cars like computers, digital, and mobile have advanced with age. So if someone wants a typewriter, sure, that's nostalgia. It is not going to be better than a modern keyboard. It's different for audio, performance is superior of some older components including vinyl and valves. For the newbies who want to visit the vintage modern threads there are many on the forum, you can read those.
Well put together. I agree that performance, sound and timbre are deciding factors. I’m not a vintage audio guy, I like modern stuff but there some old components -especially the speakers- sound very good, sometimes better than lifeless modern counterparts. But in general modern components are better IMHO.

IMHO the reason for old speakers sounding good is simplified crossovers and extremely high burn in time over 50-60 years. Unlike other components speaker drivers are mechanical devices. The spider and surround of a driver used for 50 years becomes incredibly relaxed. The most important thing with an old driver is that it doesn’t have a deteriorating surround. IMHO surround replacement is killing the driver’s sound unless it’s still in production and the job is done by the manufacturer.
 
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Well, you seem to think they have decayed.
I don't know. I have no dog in this hunt. All I know is that electrolytic capacitors and carbon composition resistors decay over decades, and that almost all audiophiles and engineers alike believe that they should be replaced.

How much progress has the industry made in 50-60 years?
It depends on your sonic preferences and sonic definitions of "progress."

I do not know about the capacitor or resistor in my crossovers.

I get your position.
Thank you!
 
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Last year, one of my friends was considering upgrading his DCS digital stack to the new APEX version, and around 10 of us accompanied him to the dealer for the audition. The dealer had both the old and new versions on display, so switching could be done in less than a minute.

In the end, half of us preferred the new version, and the other half preferred the old one. So, which is better just depends on your preference!

People who thought the non-Apex version sounded better should consult their audiologist. There is no comparison there.

Same for the Daryl vs. David Wilsons.

Peter may be correct on the Lamm.
 
People who thought the non-Apex version sounded better should consult their audiologist. There is no comparison there.

Same for the Daryl vs. David Wilsons.

Peter may be correct on the Lamm.
some people like Boulder, some people like darTZeel, some people like VAC, some people like Lamm.

i had darTZeel, VAC and Lamm amps in my system together, and there were different preferences between different people.

i know what i preferred. the one that had the least distinctive gear signature.....to my ears. and stayed that way as the music got complicated.
 
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People who thought the non-Apex version sounded better should consult their audiologist. There is no comparison there.

Same for the Daryl vs. David Wilsons.

Peter may be correct on the Lamm.


I ll state even the rossini sounded better then the Apex.

Dont confuse Apex in price and Marketing with SQ Lee.
 
Well put together. I agree that performance, sound and timbre are deciding factors. I’m not a vintage audio guy, I like modern stuff but there some old components -especially the speakers- sound very good, sometimes better than lifeless modern counterparts. But in general modern components are better IMHO.

IMHO the reason for old speakers sounding good is simplified crossovers and extremely high burn in time over 50-60 years. Unlike other components speaker drivers are mechanical devices. The spider and surround of a driver used for 50 years becomes incredibly relaxed. The most important thing with an old driver is that it doesn’t have a deteriorating surround. IMHO surround replacement is killing the driver’s sound unless it’s still in production and the job is done by the manufacturer.

No, I disagree. Good restorers can spot all issues with spiders, suspension, magnets, so those are not an issue in good restores.

Separately, vintage speakers are often harsh and shouty if implemented incorrectly, definitely Altec is sh*t in stock form.

Whether soft or not when properly done is purely a matter of which driver and if tweeter used.

Proper restores will have crossovers changed.
 
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some people like Boulder, some people like darTZeel, some people like VAC, some people like Lamm.

i had darTZeel, VAC and Lamm amps in my system together, and there were different preferences between different people.

i know what i preferred. the one that had the least distinctive gear signature.....to my ears. and stayed that way as the music got complicated.

We are in agreement that different people have different preferences. My objection is when there are clear advancements in certain products. The Apex on dCS and the recent Wilson Audio driver, etc. upgrades are, in my view based on long-term ownership of the before and after models, significant improvements in what came before.
 
I ll state even the rossini sounded better then the Apex.

Dont confuse Apex in price and Marketing with SQ Lee.

If you don’t hear the Apex improvement on the Rossini, then maybe that’s a clue why your speakers have not gotten traction.
 
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Magazines are only confusion. Lee.

To determine what you really .like you gotta hear it for yourself.

Not disturbed by marketing , peer pressure whatever .

Just go sit with an open mind and emerse yourself with sound

I do that every day.
 
My speakers havent got any attraction because i cant afford the US marketing fees lee.

I dont wanna go bankrupt before i even start lol

Hmm, how did Magico afford those fees when they first started?
 

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