I agree with you entirely Mike, but want to add that unless one is familiar with all of the components in a system, it is a bit unfair to single out one particular component.
That is certainly true.
Thanks,
Roysen
I agree with you entirely Mike, but want to add that unless one is familiar with all of the components in a system, it is a bit unfair to single out one particular component.
Agree...unless you have a 15-year old FMA amp and you still use it. Or you have an FMA611 that is 10 years old...and you still use it.
I don't know, how much is that 611? How much was it back then? I mean, if I spent ~ US$ 100k in an amp, I wouldn't want to know about another amplifier for at least 10 years
alexandre
IMO, I don't give a rat's a$$ what my gear looks like. For me it is all about the sound. I would venture to say that my 4 piece amp and 4 box preamp are butt ugly if not the ugliest. However, I listen with the light's off, it's my room and my wife knows its sacrosanct so no one is in there except me and invited guests. The fashion statement isn't what rocks my sonic boat but as they say IMHO
drooling. I am currently trying to convince my wife to go with me... Won't go alone; too scared she'll sell my system.
IMO, I don't give a rat's a$$ what my gear looks like. For me it is all about the sound. I would venture to say that my 4 piece amp and 4 box preamp are butt ugly if not the ugliest. However, I listen with the light's off, it's my room and my wife knows its sacrosanct so no one is in there except me and invited guests. The fashion statement isn't what rocks my sonic boat but as they say IMHO
I totally agree with this statement. To me the sound is what it's all about. ( BUT if you can have the sound and the looks, well that's the best of both worlds; the sound always comes first though)
BTW, I recently heard the Concert Fidelity gear, which sounded very good....however IF you look inside their boxes, not only is there not much to see ( except open space, LOL) but the CF pieces don't look particularly well made inside either. Whenever I have heard the FMA gear in the past, the looks weren't to my taste, but I did think they were the real deal in regards to their abilities. However, I also thought that there was a lot of other gear that I would prefer in my system and for a lot less money....almost all of it had tubes in the circuit.
IMO, I don't give a rat's a$$ what my gear looks like. For me it is all about the sound.
i've visited the dealer in Colorado Springs (really nice guys, btw) and heard the FMA there, and listened to it every year they've brought them to RMAF, they always sound good, but they've never really stood out as special. so regarding MEP's perspective, if they would have been memorable.....he would have remembered.
it's the gear's job to grab us...or not.
it's fair that with a greater awareness of the product cache' he might now listen with more interest.
AFAIK, they only carry and demo'ed FMAs middle line. Pre-amps, imo, play a crucial role here especially for FMAs. I noticed all these years they have only been using the bottom line 245 paired with the 411/811 which are great but twenty years old technology amps. Seems only recently they have acquired/uses the 115. In all fairness, do try to listen at minimal to their 266mkII paired with the 115 (preferably 1811), which still is not, at current, their top line btw, but in my humble opinion, more then enough to give the top Dartz a good run for sure. And better still, experience their FMA1 or 2 full Inspiration System, properly set-up, before forming an opinion of them.
best in the world ......
I thought he just said the same thing about Dan's amps.