I'm not hiding my gear from anyone. It's there for all to see, criticize, and poke fun at.
+1. Mr. Wayne's system continues to be a mystery...
I'm not hiding my gear from anyone. It's there for all to see, criticize, and poke fun at.
+1. Mr. Wayne's system continues to be a mystery...
Yes best amp in the world ........
I would love to listen to it in my speakers ...
What I would love is for FM to man up and give some equipment for review to the regular's at Stereophile, AS so we have some context on how FM sounds/stacks up against hi-end gear already reviewed by said magazines. I know they won't do it though...too dangerous to their mystique reputation.
I'm glad to know your stereo is better than mine. I have never made any claims for how good my system is, but I have always shared what components make up my system since the day I joined this forum so people can judge for themselves. I'm not hiding my gear from anyone. It's there for all to see, criticize, and poke fun at.
I would love to listen to it in my speakers ...
What I would love is for FM to man up and give some equipment for review to the regular's at Stereophile, AS so we have some context on how FM sounds/stacks up against hi-end gear already reviewed by said magazines. I know they won't do it though...too dangerous to their mystique reputation.
there is zero to be gained by FM Acoustics to get reviewed by a magazine. and the downside is considerable. never going to happen. it's not in their DNA.
+10
Djanggo, have you heard the top FMA amps? If so, what are your impressions?
Thf99, sorry for the late response. Yes I have. Garry's quote from an owner, and Wizard's descriptions are essences that pretty much sums it up and in alignment with my thoughts.
To me, 'perfect balance' (ie.nothing calls for attention, yet are all alluring at the same time), and 'nothingness' (a freed mind from everything else except the music), are the two things that immediately jump to mind each and every time I heard them properly set-up.
It's too easy to sprout superlatives when describing sound, but in this case its really not. Best to go hear them yourself, if not for anything, just the experience.
FM Acoustics writes that 1811 can deliver over 550A of current, how it's possible?
It's possible because of the special transformer they use - this transformer is only used on 1811 and 118.
711II, 411II, 115, 111 and 108 uses a toroidal transformer.
With normal toroidial transformers for example the cont. current delivery is 35A and with peaks up to 70A and that's it.
1811 and 118 transformers works at full power all the time (normal transformers works at half power with full power peaks).
When the normal transformer can't give any more power, the FMA transformer gears up to the next power level.
At full power 1811 deliver 340A cont. current and with peaks over 550A. 118 monos even more powerful.
1811 output current at more normal listening levels is 85A cont. current and 170A peaks - but with very low distortion.
FM Acoustics writes that 1811 can deliver over 550A of current, how it's possible?
It's possible because of the special transformer they use - this transformer is only used on 1811 and 118.
711II, 411II, 115, 111 and 108 uses a toroidal transformer.
With normal toroidial transformers for example the cont. current delivery is 35A and with peaks up to 70A and that's it.
1811 and 118 transformers works at full power all the time (normal transformers works at half power with full power peaks).
When the normal transformer can't give any more power, the FMA transformer gears up to the next power level.
At full power 1811 deliver 340A cont. current and with peaks up to 550A in any load. 118 monos even more powerful.
1811 output current at more normal listening levels is 85A cont. current and 170A peaks - but with very low distortion.
To deliver all that power 1811 and 118 must be connected with 60A IP67 power connectors. 1811 draws 44A and 118 draws 60A from the mains.
8 to 1 ohm.
real world conditions for amps have much more to do with how quickly they react to a demand and the complete absense of any sag maintaining linearity than peak watts or power or ability to control below 1 ohm impedance.
the ease of the first few watts under any circumstances is where the magic comes. i'm sure the 118 is exemplerary in this area.
how many joules of energy do the capacitors in the 118 hold?
Hey Mike...is the measurement capacitance in microfarads? As in 400,000-500,000 microfarads in Gryphon amps? Presumably the amount of energy the amp can store, the greater the amp's ability to instantly react to large transients/energy draws without any sag?
Hey Mike...is the measurement capacitance in microfarads? As in 400,000-500,000 microfarads in Gryphon amps? Presumably the amount of energy the amp can store, the greater the amp's ability to instantly react to large transients/energy draws without any sag?
Large charge storage does not affect how fast the amp reacts; it affects how long it can sustain a peak before either the power supply recharges the capacitors or the power drops due to the voltage across the capacitors dropping (sagging).
One of the mods I and a friend made many years ago was to build a massive capacitor bank for a Hafler DH-200 amp. The bass improved dramatically, both by ear and measured.
Hey Mike...is the measurement capacitance in microfarads? As in 400,000-500,000 microfarads in Gryphon amps? Presumably the amount of energy the amp can store, the greater the amp's ability to instantly react to large transients/energy draws without any sag?