Similar to KT150 I think, with better bottom, the same smoothens and a lot of details.
They have time to show every sound, very effortless presentation.
So. It turns out the answers to my queries were here all along.
I have just got around to sending my Gamut amps to Michael at Musiklab.
He found a number of issues, not least a standing wave in both amps which meant a new sound board and, more importantly, an issue sith some gamut sound boards as for both monos to have the issue something unexplained is going on.
What is apparent is that these utterly brilliant and award winning amps are Michaels design and he is able to tweak them further.
Goes to show the fluff and bollocks in this industry and false reality advertising creates. The Gamut M250i’s won golden ear awards 4 years in a row, yet no magazine has reviewed Musiklab amps and these amps are basically sweeter M250i’s and remain largely unheard of.
If you like solid state grip with tube sweetness you have to spend upwards of £50k to better these Gamuts. And even that is subjective.
i am sure there are other amazing amps out there that sit below the corporate marketing and grip of the magazines.
Knowing what i know now i would actually find / buy older Gamut 250 mkiii monos (predecessor to the m250i) and send them to Michael at Musiklab for a service / upgrade and know i have some of the best mono block power amps ever made for sub £5k. Or i could go into a shop and buy soulution or TAD or whatever (read back, i demoed these at home and they were no better than my poor performing Gamuts even with their sign wave issue) and be £45k poorer but with emperors new clothes.
Am i starting a debate or is this principal generally agreed amongst the audio ‘in crowd’?