Hello to all,
to deliver another praise of Michael at @musiklab and his work over here. Namely, I have recently sent my two GamuT M250 mk3 monoblocks to Michael (which were over 20 years old) for repair as well an upgrade to the latest version of his amplifier modifications. Michael not only executed the job professionally and swiftly, but communicated with me all along the process, making some important suggestions. In the end, what I received went completely beyond my expectations. The amplifiers have gained incredible precision and control, with a lower noise floor, a higher linearity, and overall an extended musicality. Some of the instruments that I always found somewhat awkward in terms of lifelike musical reproduction in my system -- such as the percussive resonance of the piano – suddenly gained a timbral accuracy and a "realism" which I did not expect these amplifiers were capable of. At the same time, the entirety of the musical spectrum, from very low to very high, gained an extended depth and presence. The separation of instruments also increased tremendously, as did the the subtleness of dynamic clues. The amplifiers are simply a pure joy to listen to now. And Michael's work indeed seems as a must for all GamuT owners.
to deliver another praise of Michael at @musiklab and his work over here. Namely, I have recently sent my two GamuT M250 mk3 monoblocks to Michael (which were over 20 years old) for repair as well an upgrade to the latest version of his amplifier modifications. Michael not only executed the job professionally and swiftly, but communicated with me all along the process, making some important suggestions. In the end, what I received went completely beyond my expectations. The amplifiers have gained incredible precision and control, with a lower noise floor, a higher linearity, and overall an extended musicality. Some of the instruments that I always found somewhat awkward in terms of lifelike musical reproduction in my system -- such as the percussive resonance of the piano – suddenly gained a timbral accuracy and a "realism" which I did not expect these amplifiers were capable of. At the same time, the entirety of the musical spectrum, from very low to very high, gained an extended depth and presence. The separation of instruments also increased tremendously, as did the the subtleness of dynamic clues. The amplifiers are simply a pure joy to listen to now. And Michael's work indeed seems as a must for all GamuT owners.