Hopkins' System

I was reading today recent updates on Arthur Salvatore's website and came across these comments in reference to his newest speakers (Sadurni Acoustics):

"The Staccato Max's sense of immediacy, which is unparalleled in my experience (regardless of the speaker design), has many favorable sonic advantages; Well recorded records sound more like a good direct-to-disc, or even a Master Tape on occasion. The improvements with digital sources are similar, now possessing a "continual presence" and natural flow I've never observed before, and the closest I've heard to the best analogue. Further, with both analogue and digital sources, was the experience of actually being (temporarily) "fooled" into believing real musicians were literally present in my listening room! This most desirable of experiences, which audiophiles usually only dream of, now occurs at a greater frequency, and with a wider range of software, than I've ever experienced before. While it's still a relatively unusual event, it was almost non-existent prior to arrival of the Staccato Max."

He continues (my bold):

"Beginning in April 2024, I have purchased more musical software (mainly Classical Music CD box sets), by far, than during any other period in my entire life. This is not a simple coincidence. Much more important, I now listen to music with a degree and level of involuntary intensity I've never before experienced. Expressed in a more direct manner, I am more "moved" by the music, of all genres, than ever before. And, to complete this thought, while also using a common audiophile expression which I usually avoid; Because of the Staccato Max, I am now more "involved" with the music."


This reminds me of my experience with the Altec 755A speaker, with which the difference between analog and digital seems to be much smaller than on any other speaker I have tried.

Though obviously limited in its frequency response, the 755A provides a sense of presence that is quite unique, and has to be heard (in person) to be believed.

Why is it that when this sonic quality is achieved, the differences between formats become less apparent? I have no answer to that question, and I feel it is an important question to answer.
 
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These little JVC speakers (SP-UX7000) are really fun to listen to in near field:

PXL_20241023_231435167.jpg

They create a very realistic center image ("phantom speaker"). Of course, they fall a little short in bass. I'll take some measurements to see exactly how deep they go (probably not much below 100hz) then see if I can combine them somehow with a small sub.

The sound quality with the powerDAC-SX is really surprising.

I will be receiving soon a pair of the infamous Coral Holy Basket to play around with. They may give good results in near field as well.
 
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These little JVC speakers (SP-UX7000) are really fun to listen to in near field:

View attachment 138341

They create a very realistic center image ("phantom speaker"). Of course, they fall a little short in bass. I'll take some measurements to see exactly how deep they go (probably not much below 100hz) then see if I can combine them somehow with a small sub.

The sound quality with the powerDAC-SX is really surprising.

I will be receiving soon a pair of the infamous Coral Holy Basket to play around with. They may give good results in near field as well.
Looks like Old Sparky @Huntsville State Prison, Huntsville TX. Think they are lighting one up this weekend
 
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Here is a single JVC-UX7000 in action:


Volume is a little high, and my phone is a little too close to the speaker (as a result there is a channel imbalance). I will record it with a better microphone, in mono and stereo (the soundstage is impressive, but I don't know how that will translate on a recording...).
 
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I tweaked the speaker placement and I think this will be their final position. This time I am not going to bother taking measurements. It sounds good (given the system).

Having the speakers very close to the wall actually improves the bass response. I do plan on getting two short cylindrical bass traps to put in each corner, under the lamp and plant.

PXL_20241026_145654635.jpg

The buffet's middle doors open wide and I put some absorption material inside - I open them up only when listening at night, in the sweet spot.

I guess every speaker has an optimal placement in a room - it's not so easy to find it. I can understand how an "expert" with fresh eyes and ears could probably figure things our more quickly.

I will get around to putting something on the ceiling, probably with some led lightning.
 
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I was reading today recent updates on Arthur Salvatore's website and came across these comments in reference to his newest speakers (Sadurni Acoustics):

"The Staccato Max's sense of immediacy, which is unparalleled in my experience (regardless of the speaker design), has many favorable sonic advantages; Well recorded records sound more like a good direct-to-disc, or even a Master Tape on occasion. The improvements with digital sources are similar, now possessing a "continual presence" and natural flow I've never observed before, and the closest I've heard to the best analogue. Further, with both analogue and digital sources, was the experience of actually being (temporarily) "fooled" into believing real musicians were literally present in my listening room! This most desirable of experiences, which audiophiles usually only dream of, now occurs at a greater frequency, and with a wider range of software, than I've ever experienced before. While it's still a relatively unusual event, it was almost non-existent prior to arrival of the Staccato Max."

He continues (my bold):

"Beginning in April 2024, I have purchased more musical software (mainly Classical Music CD box sets), by far, than during any other period in my entire life. This is not a simple coincidence. Much more important, I now listen to music with a degree and level of involuntary intensity I've never before experienced. Expressed in a more direct manner, I am more "moved" by the music, of all genres, than ever before. And, to complete this thought, while also using a common audiophile expression which I usually avoid; Because of the Staccato Max, I am now more "involved" with the music."


This reminds me of my experience with the Altec 755A speaker, with which the difference between analog and digital seems to be much smaller than on any other speaker I have tried.

Though obviously limited in its frequency response, the 755A provides a sense of presence that is quite unique, and has to be heard (in person) to be believed.

Why is it that when this sonic quality is achieved, the differences between formats become less apparent? I have no answer to that question, and I feel it is an important question to answer.

As mentioned above, it is interesting to note Arthur Salvatore's changed perspective on digital as a result of his adoption of the Sadurni speakers. Here are some of the CDs he mentions using during his tests of the speakers:

Screenshot_20241027-221101.png

I was curious to listen to them, perhaps some of you may be as well. Here are the three that I found on Qobuz:

Listen to the release Echoes of Spain by Sonus on Qobuz https://open.qobuz.com/album/ex7aayzky22aa

Listen to the release Aion (Remastered) by Dead Can Dance on Qobuz https://open.qobuz.com/album/0652637271065


Listen to the release Aras by Curandero on Qobuz https://open.qobuz.com/album/mi2tlz9nxx3ra
 
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As mentioned above, it is interesting to note Arthur Salvatore's changed perspective on digital as a result of his adoption of the Sadurni speakers
I have mentioned Sadurni on a couple of occasions as being quite excellent horns , they do seem to have gone up a tad tho since I last looked , but haven’t most things in this game !



 
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I have mentioned Sadurni on a couple of occasions as being quite excellent horns , they do seem to have gone up a tad tho since I last looked , but haven’t most things in this game !




Thanks for the links - though I have no intention on purchasing such a system:) I was interested in his experience concerning analog vs digital with this system (which he describes as the best he has heard).

It does seem like the speakers/system were adjusted over time, but I don't know to what extent.
 
In all seriousness , the Staccato’s are reasonably compact *relatively speaking*
 
Yes … The design and form most certainly helps in this regard , we are not over faced by monolithic box construction imho .
 
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Too bad this concert has never been released on CD or LP, but thanks to YouTube we can still enjoy it in good sound and picture quality:


What a performance! Her singing brings tears to my eyes... She will never be matched.
The audience is perfectly still, probably completely captivated and maybe even surprised by what they are hearing.
 
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I really enjoyed listening to this album tonight, on CD:



You can read the liner notes here: https://archive.org/details/cd_at-the-jazz-workshop_james-moody

The original LP was appropriately named "Cookin' The Blues". It was originally issued in 1965, both in stereo and mono versions: https://www.discogs.com/master/428278-James-Moody-Cookin-The-Blues


I could not resist ordering a mono LP version...

This was revorded in 1961. Moody takes practically all of the solo space, on flute, alto or tenor saxophone. The group is really "tight".

The recording quality is fine, for a club date. I was listening at very low volume and still found myself absorbed by the music.
 
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I temporarily installed (with masking tape...) diffusers on my ceiling and must say I am very pleased with the results. Here is the model I purchased (price is for 4 panels):


I ordered 4 more... I will see after how I can get something installed professionally (with some lighting), if I can find a model that is esthetically pleasing (and unobtrusive).

The left speaker has a slight bass peak (+5db) around 80hz compared to the right speaker, but I should be able to improve that.






 

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