Introducing Olympus & Olympus I/O - A new perspective on modern music playback

Taiko-Olympus-big-advert.png

For those who just started reading up on Olympus, Olympus I/O, and XDMI, please note that all information in this thread has been summarized in a single PDF document that can be downloaded from the Taiko Website.

https://taikoaudio.com/taiko-2020/taiko-audio-downloads

The document is frequently updated.

Scroll down to the 'XDMI, Olympus Music Server, Olympus I/O' section and click 'XDMI, Olympus, Olympus I/O Product Introduction & FAQ' to download the latest version.

Good morning WBF!​


We are introducing the culmination of close to 4 years of research and development. As a bona fide IT/tech nerd with a passion for music, I have always been intrigued by the potential of leveraging the most modern of technologies in order to create a better music playback experience. This, amongst others, led to the creation of our popular, perhaps even revolutionary, Extreme music server 5 years ago, which we have been steadily improving and updating with new technologies throughout its life cycle. Today I feel we can safely claim it's holding its ground against the onslaught of new server releases from other companies, and we are committed to keep improving it for years to come.

We are introducing a new server model called the Olympus. Hierarchically, it positions itself above the Extreme. It does provide quite a different music experience than the Extreme, or any other server I've heard, for that matter. Conventional audiophile descriptions such as sound staging, dynamics, color palette, etc, fall short to describe this difference. It does not sound digital or analog, I would be inclined to describe it as coming closer to the intended (or unintended) performance of the recording engineer.

Committed to keeping the Extreme as current as possible, we are introducing a second product called the Olympus I/O. This is an external upgrade to the Extreme containing a significant part of the Olympus technology, allowing it to come near, though not entirely at, Olympus performance levels. The Olympus I/O can even be added to the Olympus itself to elevate its performance even further, though not as dramatic an uplift as adding it to the Extreme. Consider it the proverbial "cherry on top".
 
Last edited by a moderator:
Interesting…. I should have specified it was Stravos who preferred the usb.

Yes, and I cannot argue with the reasoning behind that. In a “low res” “high background noise” of a show environment, the finer grained, more delicate and agile high frequency rendering will go largely, if not completely, unnoticed. It is true the USB appeared more dynamic, and it’s “rougher” intrinsic nature does not stand out in quick, often just minutes long, listening sessions.

Additionally USB is the type of sound we’re completely accustomed to as it’s being used in 99% of file based / streaming digital playback systems. And it will remain to be for quite some time.
 
Additionally USB is the type of sound we’re completely accustomed to as it’s being used in 99% of file based / streaming digital playback systems. And it will remain to be for quite some time.
Indeed, never underestimate the power of cognitive dissonance, particularly in short-term listening sessions. In a human consciousness model where, whether we realize we are doing it or not, we are always trying to make sense of the outside world by recognizing patterns, sorting and categorizing, we often prefer the familiar and comfortable over something new and outside our normal experience.

Except of course for those of us (guilty!) who actively search out and enjoy the new, different and unexpected. . .

Steve Z
 
Perhaps the Qobuz "problem" of periodic play stoppage has cured itself somehow. This is the second morning I've gotten up and checked Roon to find it played through the night > 12 hours continuously and is still playing. Not aware that Qobuz has issued a fix, but I've never gotten anything from them in the past about other problems, either.

Steve Z
 
Another data point : the Olympus does not gain much by grounding. The Altaira to left binding post induced a major drop in dynamics, and a collapse of depth ( from 7m to 2m, hard to put numbers on those ). The router and switch benefited from grounding, although not the Taiko distributor, nor the power supply that powers the distributor. In short, the Olympus is not taking well any of the power supply in the system being grounded, so there must be something in relation to isolating the grounding plane for the signal chain. I believe Emile had already made this comment in the documentation.
Hi QuantumWave,
Let me share with members my experience.
I tried grounding of the Olympus at Volent Audio earlier this month.
Volent doesn't carry any groundbox brands but there was an discontinued and idling Taiko small electric groundbox Setchi D3 in the showroom so I plugged it into the USB socket of Olympus.
The improvement was instantaneous and significant, without any pitfalls. Noise floor further decreased and the layering of the soundstage & resolution of bass was surprises.

According to Ben Lau of Volent Audio, the two grounding posts on the back of Olympus are connected to chassis & the internal LPS only. The circuit board is somewhat "floated".
(Emile please correct us if we are wrong. )

I have got ready my two idling Setchis while waiting for the delivery of my Olympus & Olympus I/O.
:cool:
1000492157.jpg
 
Do you mean this “ The Olympus I/O contains 2 battery power supplies and a custom power supply for charging the
battery cells. The first battery section powers the Network Card, and the second section powers the
XDMI Output. The batteries are configured to charge in cycles, like a traditional battery. They hold a”

That refers to the I/O, not the main unit. Is there a reference to the main unit LPS which I am missing?
 
Starting planning for an Olympus (USB+Analog) listening session in San Diego first part of December (I'm tentatively thinking Saturday 12/7 or Saturday 12/14).

My geek cave is decidedly more pedestrian than Steve's wonderful listening room, but I should still have my Extreme on hand then, so we'll be able to have relative comparisons between Extreme USB vs Olympus USB, and Olympus USB vs Olympus XDMI Analog (and for fun, various permutations of the Taiko network stack if of interest)

If you have interest (or potential interest), please drop a direct message to me and I'll send a note when details when finalized.

Folks I think my ambition exceeded reality for this shortened window between Thanksgiving and Christmas (3 weeks!!).

I’m going to postpone this listening session to some time early next year, hopefully with some additional kit that folks can hear as well

Apologies but things are crazy busy this year!
 
Hi QuantumWave,
Let me share with members my experience.
I tried grounding of the Olympus at Volent Audio earlier this month.
Volent doesn't carry any groundbox brands but there was an discontinued and idling Taiko small electric groundbox Setchi D3 in the showroom so I plugged it into the USB socket of Olympus.
The improvement was instantaneous and significant, without any pitfalls. Noise floor further decreased and the layering of the soundstage & resolution of bass was surprises.

According to Ben Lau of Volent Audio, the two grounding posts on the back of Olympus are connected to chassis & the internal LPS only. The circuit board is somewhat "floated".
(Emile please correct us if we are wrong. )

I have got ready my two idling Setchis while waiting for the delivery of my Olympus & Olympus I/O.
:cool:
View attachment 140800
I have two of these I’m not using if anyone wants to buy.
 
Perhaps the Qobuz "problem" of periodic play stoppage has cured itself somehow. This is the second morning I've gotten up and checked Roon to find it played through the night > 12 hours continuously and is still playing. Not aware that Qobuz has issued a fix, but I've never gotten anything from them in the past about other problems, either.

Steve Z

Yes looks like, I’m at 66 hours now.
 
  • Like
Reactions: oldmustang

About us

  • What’s Best Forum is THE forum for high end audio, product reviews, advice and sharing experiences on the best of everything else. This is THE place where audiophiles and audio companies discuss vintage, contemporary and new audio products, music servers, music streamers, computer audio, digital-to-analog converters, turntables, phono stages, cartridges, reel-to-reel tape machines, speakers, headphones and tube and solid-state amplification. Founded in 2010 What’s Best Forum invites intelligent and courteous people of all interests and backgrounds to describe and discuss the best of everything. From beginners to life-long hobbyists to industry professionals, we enjoy learning about new things and meeting new people, and participating in spirited debates.

Quick Navigation

User Menu