Did you hear those with Boulder too Ian ?Not surprised about the dryness. Last year I got to hear the big Wilsons (XVX?) and they sounded horribly thin and dry - nothing like real music, which I attributed to the electronics.
Did you hear those with Boulder too Ian ?Not surprised about the dryness. Last year I got to hear the big Wilsons (XVX?) and they sounded horribly thin and dry - nothing like real music, which I attributed to the electronics.
Wasn't the speakers...Sonus Faber Aida-
I was anxious to hear the big ones due to my excellent classical demo of the Il Cremonese last year. The Aidas are gorgeous, unimposing, and had a nice room. TOTL Boulder 3k preamp/amp, dCS, and a Clearaudio Statement TT (!!).
Spent a half hour in this room, with the full sweet spot, and just thought the music was dry as the desert. Both on digital and analog. It did all of the hifi things well- soundstage, imaging, bass- but wasn't my cup of tea. I will give credit to the large, distinct image in the room that gave the room some of that "you are there" mystique.
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Wasn't the speakers...
So?dCS + Boulder was the in-house reference during pk_LA's extensive DAC survey.
I heard them in too small of a room as well. Basically what I heard was dry/hot/fatiguing treble, a recessed midrange and not much low end at all - on the anemic side (might have been some bass cancellation happening as per the dealer - who mentioned this after the listening session). Tonally unbalanced and speakers weren't allowed to breathe or create a soundstage of any kind. Not a situation where you could assign any blame to the speakers, but I did feel the electronics were very clinical & dry sounding. I've only heard Boulder a couple times but my impression was consistent. Of course with the right setup I might totally change my mind and I'm not suggesting that Boulder is sub-par by any means, just that I wasn't surprised by the use of the term 'dry'.Hey MadFloyd,
Long time no speak. Hope the system is continuing to sound fantastic. What did you hear with the XVX? I am curious as I have also heard them. My gut tells me extremely good speakers, but it was not a room I knew well, and I would like to hear them in a bigger room.
Yes.Did you hear those with Boulder too Ian ?
Care to elaborate on how you think they've changed?I ll give the XVX s and smaller wilson models another try this year , although its hard to stay more then 2 songs in the room with todays wilsons in Munich
Care to elaborate on how you think they've changed?
Interesting, Andromeda. I also was concerned initially about bass from XVX and was wondering if they are designing it for more and more necessary use with the dual subs. In the room I was in, I had little ability to make that determination.Its better i say something after i have visited munich again and after i have heard a set up at a dealer .
But based on what i heard last year , id say FR issues .
Weak bass due to the use of flexible paper pulp cones instead of the old fiberglass/ foam Focal membranes . used in the maxx / alexandria
If the foundation is not really there then the whole perceived balance changes .
Large speakers high price can only be justified if the speakers can scale up or down with the music
Coherence issues , a very thin sounding midrange may be due to complete new filter design / implementing a 4 and 7 inch mid instead of 2 7 inch mids .
The wilson subwoofer that was used was not very well integrated to my ears .
Not combined with amplifier brands im very fond off
Ps Its not that i wanna bash wilson in some way ,their products are very well made and apparently appeal to a lot of people .
- the XVX mids are driven by 2 x 7" cones plus 1 additional 4" cone? I thought it was 3 cones so MORE than the XLF?
- the XVX bass cones are 10" and 12" vs XLF at 13" and 15"...but the XVX cabinet is approximately 13cm deeper than XLF...as you are a speaker designer, would that added depth matter potentially help?
Ya thats because of boulder. Tends to suck the life out of the music.Sonus Faber Aida-
I was anxious to hear the big ones due to my excellent classical demo of the Il Cremonese last year. The Aidas are gorgeous, unimposing, and had a nice room. TOTL Boulder 3k preamp/amp, dCS, and a Clearaudio Statement TT (!!).
Spent a half hour in this room, with the full sweet spot, and just thought the music was dry as the desert. Both on digital and analog. It did all of the hifi things well- soundstage, imaging, bass- but wasn't my cup of tea. I will give credit to the large, distinct image in the room that gave the room some of that "you are there" mystique.
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Yes Ron I said as much (see post #3562), but you mentioned the electronics…not the speakers…thus my So?I have reason to believe that the dryness that Keith heard from the Aida system and the dryness that Ian heard from the XVX (conceptually a very similar sound to the Alexx V) system are not due to the loudspeakers in those systems.