My first Koetsu!
So thanks to the input of members of this thread, I purchased the last Koetsu in stock at Sound Heights - fortunately it was the one of the models I was after, the Rosewood Signature. This is my first Koetsu and allI can say is that I regret not having tried a Koetsu sooner. But I’m grateful to the local audio club I’m in that allowed me to hear a Koetsu Black at a members home which started me on my journey.
This thing is unbelievable - I won’t bore all of you seasoned Koetsu owners that know the virtues of these great carts, but some of the standouts that grabbed me right away:
A) not only a big sound stage, but clear acoustic placement of each instrument within that sound stage
B) with reverb on a voice, it sounds like I’m hearing the voice first without the reverb, then there’s a separate trail of reverb following - with my other carts, each word sang just sounded like one, big smear of reverb
C) the gorgeous, lush, but detailed and holographic center stage of the singer, especially female vocals like Eydie Gorme - I can hear her lips separate as she prepares to sing the chorus
D) big, warm, bass - yet detailed and tight
E) absolutely no inner groove distortion, even in very dense arrangements - my previous cart, ClearAudio Jubilee MC even couldn’t not do this. The Koetsu provides the same separation and clarity on the last track as it does the first - unbelievable!
F) mono magic/alchemy? - I played my 1st pressing, Columbia six-eye, 1959, of Lambert, Hendricks, and Ross - “The Hottest New Group in Jazz” and I swear to you that I was hearing some of the instruments peaking out of the left and right channels as well as being able to place the members in the soundstage (vertically too) - how is this even possible (and yes, my preamp was set to mono) - there is definitely some sort of alchemy going on inside this little rosewood box! Can’t wait to listen to more mono!
G) oh, and how polite she is - makes little to do about pops and clicks - they stay way down in the background with soft attack and low pitch (in contrast to my ClearAudio which magnified every little tick and scratch so that it became the main event and sounded like a shotgun going off!)
Ok, I’ll stop gushing now, but I just can’t get over this cartridge - and here’s the kicker - technically speaking, it shouldn’t sound this great - my ClearAudio 12” Universal tonearm only has an effective mass of 10g. So, I’m thinking, when I get my Groovemaster 12” high-mass tonearm, I’m going to hear even more greatness from my Koetsu - and that blows my mind! I mean, if I’m hearing all these good things from this cart, straight out the box, not even broken in yet, and I’m using it on the wrong tonearm, what in the world am I going to hear when I mount it on a better suited arm??? Really sets my imagination into the stratosphere…
Anyway, I regret now not having also bought the Vermilion as Sound Heights had one of those left when I bought my RWS, and it looks like there’s none to be found. Hopefully, the family will soon be able to start production again.
Thanks all for helping me secure such a great cartridge!
—cheers!
Jimmy