Ah should have been clearer on the adapters sorry, UX4 (4 pin) rectifiers to octal.
So first impressions of the UK military KV378! I've not done extensive comparisons with the ACME in a long listening session but here's what I've found. I also picked up the new version of this, which is terrible and not worth bothering with, so if you're looking for one be careful to get it right.
Soundstage
Expansive and not lacking at all. On the cheaper valves I find they sound smaller and more compressed. None of those issues here. Sound is diffused properly making the speakers disappear. This appears to be the equivalent of the ACME 274b which is the best one I have in this regard. The GZ34 which I reviewed earlier is flat in comparison to the ACME and this.
Sound
The biggest difference with this valve compared to the ACME is the sound in the range of the vocals, snare drums and cymbals. It has tremendous clarity and is the most real sounding I've heard. I find a lot of valves can warm up the sound (just like the GZ34) i.e. distort. This can be good but often results in vocals sounding really good, but drums sounding a little washed out and not as real. The valve gives the most accurate sound I've heard with tremendous separation and decay. There is no blur whatsoever. Reverb on vocals becomes highly accurate and noticeable. This is like a window into the original recording. The valve isn't bright per se but this is it's stand out quality.
Bass
Deep bass is the equivalent of the ACME. Upper bass is more accurate but you lose some of the valve magic. I actually like the soft kick drum sound, which isn't exactly accurate but is a personal preference.
Summary
This is a stunningly good tube. I have heard that some of the older Mullards are warm but this is anything but that. The ACME is also superb so this is not a criticism. The GZ34 is entirely a different type of sound trading soundstage and clarity for warmth. As with all these things it will come down to personal taste.
After over 50 pages of this thread would one of you guys mind posting a summary of what worked Best/really well in systems? We have rectifiers -- ACME, Taka 274B, KR 5U4G, … Then for output tubes so many that my head spins.
Check out post 1088 if you missed it I am convinced more so that is a great recti for £20.
It had a huge troop of Head-Fi people raving about it. Hard to ignore.
I can try it... most of the cheaper ones haven't been good. What are you / they comparing this against? Cheers, Tim
Anyway, I preferred the masher to the KR 5U4G in my system, and Ked did too. .
On the topic of GZ480. Comparison done by my buddy Fabio in GA+ TRP:
“Did a quick rectifier shootout with GZ480, RK5U4G, ACME274 and Taka.
The GZ480 has the treble extension of the ACME but the presence and midrange fullness of the Taka at the same time. Bass is super precise and controlled. It has the lowest noise floor and reveals the most details. The RK5U4G sounds good as always but is slightly flatter in the presentation. The sound is very clean and most SS-like of the bunch. The mid-range focus of the Taka does not help her in the new setting. It lacks a bit the openeness and transient response. I don’t get the same live-event feeling like with the GZ480”
+1 for the Masher... The Raytheon provides a lovely full tone to complement the KR242 in my GG1 . Runs much hotter too, compared to the KR5u4g. My preferred combo for Classical , Acoustic fare.Is the "masher" the Raytheon 5R4WGA?
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