I guess it was easier to find it than I thought http://www.theabsolutesound.com/art...block-amplifier-and-720-preamplifier-tas-199/
TAS:The Soulution gear sets new standards of low noise and high resolution, making it the most transparent-to-sources and the most realistic solid-state gear I’ve yet heard. Can you tell us a bit about the technology that has led to these breakthroughs? Particularly bandwidth and distortion?
Cyrill Hammer: For a “solid-state” amplifier design the speed (e.g., bandwidth) of amplification is one of the most important criteria. This speed or bandwidth has nothing to do with the MHz-range frequencies that can be reproduced by such an amplifier; the bandwidth is required to make the “feedback loops” of solid-state designs work properly. “Feedback loops” compare the amplified music signal at the output with the input signal. Due to the fact that the music signal is constantly changing, the time delay (propagation delay) of the amplifier must be zero; otherwise, applying feedback will add timing errors to the music signal. In other words, if the propagation delay is not zero or close to zero the “feedback loop” will be comparing apples at the output to oranges at the input.
Big solid-state amplifiers can have propagation delays of 1–5 microseconds. Now, the period of a 20kHz sine wave is 50 microseconds. Under these conditions such timing errors are significant—and they get even worse for higher frequencies. The Soulution amplifiers work with an overall propagation delay of 5–10 nanoseconds. This is up to 1000 times faster than other amplifiers. The voltage amplification stage—where we apply the most negative feedback—runs at 80MHz bandwidth and has a propagation delay of 1–2 nanoseconds. Since the timing errors of the Soulution amplifiers are negligible, this gives us the opportunity to apply as much negative “feedback” as we need wherever it is required in the amplifier without reducing sonic performance. This is how we can lower distortion to never-before-seen levels.