Absolutely I am, but I’m making a far stronger statement that might shock you, but it’s an experiment that any of you can try in your listening room. Engineers and scientists like to abstract complex systems by drawing boxes around them and looking at the “transfer function“ of the overall system. You can do this at the level of a single component — a resistor, a capacitor, a transistor, a vacuum tube — or a Hi-Fi component — a DAC or a preamp or a speaker or, in fact, the entire reproduction chain from the original album in whatever format to the sound it produces in your listening room. In each case, we ask a basic question: how linear is this transfer function?
So,, here’s the experiment any of you can do. Pick your favorite album, choose whatever components you want — analog or digital, solid state or tube amplification, dynamic speaker or stat or horn speaker etc. Now, record the actual sound your speaker makes in your listening room when playing back this album.
Now comes the important part. The second time around, play back the recording of the sound your speaker made of the original album, once again through the same reproduction chain. Repeat a dozen or more times. What do you think you’ll end up with?
To show you how nonlinear speakers and rooms are, we need a comparison. For example, if you take a dozen amplifiers (or preamplifiers), and daisy chain them, but level matched each amplifier in the chain to ensure that the chain of 12 amplifiers produced the same volume as a single amplifier. Quad, the British company did this test many years ago, showing that no listener could tell apart one of their Quad 606 amplifiers from a dozen of them hooked up together. The point here is not to critique this test, it’s to make a contrast with our original experiment. Amplifiers are very linear in comparison to speakers and rooms.
So, what happens if you do the original experiment? Well, amazingly enough, after a dozen repetitions of recording your speakers playing back an album, and playing the last recorded sound each time, you get ABSOLUTE NOISE! The signal to noise ratio is 0 dB! It does not matter if you played a jazz album, a classical album, a rock album, a choral piece or an opera. A dozen repetitions through the entire system representing your entire reproduction chain, you get complete noise at the end. Why? Because the room and speakers are so nonlinear, they totally dominate. You get what sounds like FM noise and no music whatsoever. Contrast that with the amplifier experiment where listeners could not tell apart one Quad 606 amplifier from 12!
The late Amat Gopal Bose, a brilliant scientist and engineer at the Massachusetts Institute of Technology, who taught a legendary class on acoustics at MIT for several decades did this experiment for his students every year. Each time, the students were completely slack jawed listening to complete noise coming out after a dozen or more repetitions. It’s useful to keep this experiment in mind. Compared to all the other components, the room and the speakers are most nonlinear ones by several orders of magnitude (like many millions of times more nonlinear). .
I will not enter into a debate about 16-bit or 24-bit or 32-bit. I’ll just say plenty of reviewers and contributors to this forum think vinyl sounds better than digital. That should alone tell you a lot. Speakers and rooms are so inherently nonlinear and noisy, it dominates. everything else. If you want to truly advance audio reproduction, you might want to focus on the most nonlinear components in the chain.