The best 5 speakers that you have had
- Thread starter thomask
- Start date
1. Von Schweikert Ultra 9
2. Von Schweikert VR-9
3. Red Rose Classic
4. Martin Logan Sequel II
5. Magnepan MGIII
2. Von Schweikert VR-9
3. Red Rose Classic
4. Martin Logan Sequel II
5. Magnepan MGIII
You need only full balanced preamp with tubes, the intern class a amps sounds pretty good hard to beat if you like horns.
Von Schwekert and Magnepan, ML are well known.
But few people know Red Rose Classic speaker.
Could you give more of your experience on it?
Red Rose Classic Speakers have two 5 inch midrange drivers with a ribbon tweeter in between. A 10 inch woofer is mounted on the inner surface. Very musical at low to moderate listening levels. Works well in small to moderate spaces. I also used a REL subwoofer (Stadium). Didn't do well at high volumes. I used the Red Rose amplifier (tube EL 34).
All Vivid family1) Vivid B1D
2) Vivid G4S2
3) Vivid G3S2
4) Vivid G2S2
5) Vivid G1 Spirits
In my dreams...................
Limiting to speakers I've had in my home. There are 3-4 other speakers that come to mind
that have been in the showroom that I've never had at home for want of space, i.e. relationship
preservation.
1) Destination Audio Vistas
1) Soul Sonic Hologramm X's
3) Ilumnia Magister
4) AER Drivers in Oris Horns with custom bass bins and XO
5) Apogee Studio Grand - custom XO
that have been in the showroom that I've never had at home for want of space, i.e. relationship
preservation.
1) Destination Audio Vistas
1) Soul Sonic Hologramm X's
3) Ilumnia Magister
4) AER Drivers in Oris Horns with custom bass bins and XO
5) Apogee Studio Grand - custom XO
Please don’t get too obsessed with the fact that several of the best speakers I have had I currently have. This due to my connection with Rhapsody.audio. And this might come off as an advert is not my intention. Since I live with these I feel is OK to comment.
I had been listening to the Alsyvox Botticelli X for several months lately, only swapping them out for auditions. But I decided I should live with the big BAYZ Counterpoint 2.0s again for a while, and recently returned them to my listening room. These really are remarkable speakers that belie their interesting and unique shape. Whenever I go from Alsyvox to the Bayz, it takes me at least an evening to get calibrated to the omni directional presentation versus the dipole presentation of the Alsyvox. Thereafter I am repeated astounded just how great these speakers are, and it is difficult to go to bed I just want to hear more music.
I am frequently asked what is the better speaker of those I have on-hand… and I believe is really a matter of personal taste. Some like a Burgundy, some like a Cabernet, some like a Bordeaux but all wine lovers can appreciate great examples of each of them.
Interestingly, my wife really likes the Bayz aesthetic. She likes the Botticelli more, but the unique shape of the Bayz isn’t as “wierd” to her as she initially thought they’d be. She says “those are really fun to listen to.” The functioning parts of the speaker really don’t take up all that much space, is amazing the soundfield they present.
I had been listening to the Alsyvox Botticelli X for several months lately, only swapping them out for auditions. But I decided I should live with the big BAYZ Counterpoint 2.0s again for a while, and recently returned them to my listening room. These really are remarkable speakers that belie their interesting and unique shape. Whenever I go from Alsyvox to the Bayz, it takes me at least an evening to get calibrated to the omni directional presentation versus the dipole presentation of the Alsyvox. Thereafter I am repeated astounded just how great these speakers are, and it is difficult to go to bed I just want to hear more music.
I am frequently asked what is the better speaker of those I have on-hand… and I believe is really a matter of personal taste. Some like a Burgundy, some like a Cabernet, some like a Bordeaux but all wine lovers can appreciate great examples of each of them.
Interestingly, my wife really likes the Bayz aesthetic. She likes the Botticelli more, but the unique shape of the Bayz isn’t as “wierd” to her as she initially thought they’d be. She says “those are really fun to listen to.” The functioning parts of the speaker really don’t take up all that much space, is amazing the soundfield they present.
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So, I had these prior to being in the business. I was looking for a new pair of speakers and wasn't getting a good listen (sub 6 figures) at the primary stores in my area. I had a long conversation with the salesman at the last store. He was an audio nut too, and told me he was selling his personal pair of speakers and invited me to his place to hear them. He had done all of the mods to them, so it was quick and easy. We were moving around a lot back in those days which eventually led to my reselling them.
You are always welcome to come to Boston to hear them. We will probably have a pair at the Pacific Audio Fest this June.
It is more likely that I will attend Pacific Audiofest this June.
Thanks for your kind offer.
I agree with you that Audio is like tasting wines.
There is no best wine for everyone.
It depends on personal taste.
Hi all, I've been lurking and immensely enjoying What's Best for years. Didn't really know when and where to post first. This seemed like a good thread to enter. Kinda fun thinking back on the last 45+ years in regards to Loudspeakers. I was/am emotionally tied to all of them (including the Genesis they were sonically and visually gorgeous even with their bass issues).
Klipsch LaScalas- ringing tendency presented as hardness removed by covering back of midhorn with Plasticine modeling clay
Tangent RS2- had these concurrently w/ the LaScalas and listened pretty much to these only. Threshold 400A amp
Gale GS401A(Chrome caps and stands) Threshold 400A amp
Acoustat Monitor IVs(Mahogany caps Black)- first with their servo tube amps then with their transformers and a Threshold Stasis 2
Apogee Divas- first with passive Xovers and Stasis 2, then with their DAX3 active Xover w/ Stasis 2 on bass and Jadis Defy 7 on mids & tweets, finally another Defy 7 on mids and tweets. I did add a Carver sub crossed @ 40hz.
Genesis 350- Atmasphere MA-1s at first then Gilmore Audio Raptor monoblocks ( Atmaspheres were even hotter than two Defy 7s)
Gilmore Audio Model 2- first Mark Gilmore's Raptor monoblocks and Townshend Maximum Super Tweeters , currently Constellation Audio Centaur and Acapella Ion TW1S plasma tweeters
Had the LaScalas through most of high school class of '77. Found my first hi end audio store called Audio Components of Carmel shortly after. Owner Scott Appleby offered a wonderful trade up opportunity. Keep speakers in mint condition and original packing and receive full credit for a year. Bought the Tangents. Traded them in for the Gales. Finally traded the Gales for the Acoustats. If he hadn't closed shop I most likely would have traded once more for Beveridge 2SW-2s. Talk about enabling upgrade-itis. So by 1980 I was up to the Monitor IVs. I believe I enjoyed them immensely for about ten years? The Divas kept me satiated for the next twelve years. I had difficulties trying to tame the the bass overload the Genesis 350s caused in my listening room. The Divas left big shoes to fill. I threw in the towel after two years in 2004. It has been happily ever after with the Gilmore Model 2s. Every minute change (microscopic even) shows up sonically for almost 20 years.
Thanks for reading.
David
Klipsch LaScalas- ringing tendency presented as hardness removed by covering back of midhorn with Plasticine modeling clay
Tangent RS2- had these concurrently w/ the LaScalas and listened pretty much to these only. Threshold 400A amp
Gale GS401A(Chrome caps and stands) Threshold 400A amp
Acoustat Monitor IVs(Mahogany caps Black)- first with their servo tube amps then with their transformers and a Threshold Stasis 2
Apogee Divas- first with passive Xovers and Stasis 2, then with their DAX3 active Xover w/ Stasis 2 on bass and Jadis Defy 7 on mids & tweets, finally another Defy 7 on mids and tweets. I did add a Carver sub crossed @ 40hz.
Genesis 350- Atmasphere MA-1s at first then Gilmore Audio Raptor monoblocks ( Atmaspheres were even hotter than two Defy 7s)
Gilmore Audio Model 2- first Mark Gilmore's Raptor monoblocks and Townshend Maximum Super Tweeters , currently Constellation Audio Centaur and Acapella Ion TW1S plasma tweeters
Had the LaScalas through most of high school class of '77. Found my first hi end audio store called Audio Components of Carmel shortly after. Owner Scott Appleby offered a wonderful trade up opportunity. Keep speakers in mint condition and original packing and receive full credit for a year. Bought the Tangents. Traded them in for the Gales. Finally traded the Gales for the Acoustats. If he hadn't closed shop I most likely would have traded once more for Beveridge 2SW-2s. Talk about enabling upgrade-itis. So by 1980 I was up to the Monitor IVs. I believe I enjoyed them immensely for about ten years? The Divas kept me satiated for the next twelve years. I had difficulties trying to tame the the bass overload the Genesis 350s caused in my listening room. The Divas left big shoes to fill. I threw in the towel after two years in 2004. It has been happily ever after with the Gilmore Model 2s. Every minute change (microscopic even) shows up sonically for almost 20 years.
Thanks for reading.
David
Nice Journey.
I would like to have had Diva but settled at Duetta sig for monetary reason on 1989.
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