I've always wanted to test a Rockport. I had a Goldmund Studio with the T3F arm and found that I preferred the Pierre Lurne J1 (pretty much the same table but belt drive).
I'm pretty sure I use to own that particular Rockport Sirius II. I purchased a Chroma power supply for the Sirius II just like that one. I sold the Sirius II with the Chroma power supply in 2002 after I purchased the Sirius III.
having not heard the Goldmund it's hard to pick one. I'd say if the Rockport is operating optimally that it's 'more special' sounding.
there is a large performance difference between the Sirius II, and the Sirius III.....yet the II has that 'magic' for sure.
that particular Sirius II was originally sold new in 1992-1994; so it's at least 20 years old.
it's actually a Sirius II; Limited Edition (Sirius 2.5). I'm trying my best to recall what made it a limited edition; I think it had to do with the weight of the plinth, and the stainless cover over the belt (reduced mechanical noise). but I'm not sure. at one point I knew all the details. it's a bitch getting old. the 2.5 was Andy's final push at making the ultimate tt before he went all-in with the III with direct drive, air bearing and vacuum. I remember when I first got the 2.5 working properly how I was simply blown away by how it made great music. such authority and musical flow compared to anything else I had heard up to that point.
I'm pretty sure I use to own that particular Rockport Sirius II. I purchased a Chroma power supply for the Sirius II just like that one. I sold the Sirius II with the Chroma power supply in 2002 after I purchased the Sirius III.
having not heard the Goldmund it's hard to pick one. I'd say if the Rockport is operating optimally that it's 'more special' sounding.
there is a large performance difference between the Sirius II, and the Sirius III.....yet the II has that 'magic' for sure.
that particular Sirius II was originally sold new in 1992-1994; so it's at least 20 years old.
it's actually a Sirius II; Limited Edition (Sirius 2.5). I'm trying my best to recall what made it a limited edition; I think it had to do with the weight of the plinth, and the stainless cover over the belt (reduced mechanical noise). but I'm not sure. at one point I knew all the details. it's a bitch getting old. the 2.5 was Andy's final push at making the ultimate tt before he went all-in with the III with direct drive, air bearing and vacuum. I remember when I first got the 2.5 working properly how I was simply blown away by how it made great music. such authority and musical flow compared to anything else I had heard up to that point.