In principle I agree with your premise Raul that low and ultra low output mc cartridges generally are finer and more nuanced than medium and high output ones but it's not everything. The character of the cartridge is still most important IMO. When MC2000 came out it was impossible to find a low noise enough tube phono/preamp to use it directly, at least that was case in my system and I recall the sound with the matching SUT was extremely detailed but too analytical for my taste. Never liked the IO either, too colored, too boring and the bass was off. To be honest I never liked anything AN/Kondo. I guess if I had to pick one of the ultra low output cartridges of that time it would be the Denon DL-SL1.Dear friend: that 0.75mv cartridge output means " mediocre/average " quality level performance no matters what. I already posted in other threads that the best LOMC cartridges are the ones with lower output levels because the signal " sees " less coild wire that inside the cartridge is extremely important issue: more wire means losted signal information, signal quality degradation.
The best Colibri cartridges are the ones at 0.22mv and you can ask VDH that make one for you and difference for the better is like nigth and day. You have the phono stage gain to handle it.
Sorry but 0.75mv has no sense for that kind of price I suppose you paid for.
Lyra knows a lot about and that's why from the same models from some years now its builds low output versions and owners and reviewers of those low output versions always prefers these ones. For some gentlemans it's not posible to use the low output versions or cartridges with low output because have not the rigth phono stage to handle it.
In the past two of the best LOMC cartridges came with a really low output at 0.05mv ( I still own one of them. ), these ones are the Audio Note IO Limited and the Ortofon MC2000.
Btw, from some time now and today phono stage SS designs all of them has high headroom and can't be overloaded but additional almost all are very good designs. If we listen clicks then comes in the LP, as a fact the vinyl surface is really " tortuose " for the cartridge and non perfect and its inherent imperfections develops the clicks in all LPs but these clicks comes at different SPL that many times because are very low SPL we can't listen it.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
Regarding vdH cartridges I don't hear anything negative in the more recent higher output versions and I've had them all since the Colibri Stradivarius. Up to the end of last year there were some differences between the character of lower output Master Sigs, 0.28-0.34mv and higher output versions 0.75mv-1.1mv but they don't suffer the typical shortcomings of high output mc cartridges, in fact in many newer systems I prefer the higher output version. These days many speakers have low sensitivity and are difficult to drive the higher output is perfect in such systems, you'll get all the dynamics without having to crank up the volume which introduces noise. The Master Sigs I received this year seem to be very close in character irrespective of output.
Of course not always but in clean records pops & clicks can disappear with proper setup.
david