Apologies, but you misunderstood me.
You wrote: "You guys like it a little warm and fuzzy. There's nothing wrong with that. It's a preference. " This triggered my post as there is no evidence in others posts of this being what we associate with "musical" .
Yeah, I got a bit carried away there, and I tried to explain where that came from in subsequent posts, but evidently I didn't get the job done. In essence it wasn't so much related to my opinion of Audiophile systems, as with Audiophiles' descrptions of what they refer to as "clinical" or "analytical" systems. Warm and fuzzy seems to be the opposite of that, but it was a logical fallacy for me to conclude that anyone's system sounds "warm and fuzzy" based on their use of those descriptors. Sorry.
BTW, you missed the most important part of my post when you quoted it "You could use you favorite recordings and give us an objective report of your comparative findings with your system. Perhaps then I could understand what you do not like in Audiophile (with capital A) sound reproduction.
Yeah, I'm still not sure how to answer this because I'm not sure you really understand my position (which is probably my fault, not yours). I have heard a lot of Audiophile systems and I really enjoyed most of them. Most of them, in fact, are better than my own system on a couple of key fronts -- low end extension and available volume. I completely understand the limitations of my own system and am not trying to hold it up as any kind of model for anyone else (on a side note, I am, however, a huge believer in active design and
do promote that as a clear advantage that the Audiophile world has almost completely missed).
This was the important point - unless you experience what we are debating, this is just a dictionary debate.
I think this
is mostly a semantic debate. There are certainly "euphonic" Audiophile systems out there with, IMO, poor resolution and tonal balance, but I'm not trying to paint all Audiophile systems with that brush. I could take some favorite music to a local high-end shop this afternoon and listen to their Spectral/Wilson system (or to a friend's to listen to his Mac/Martin-Logan system, or to a studio to hear another friend's Focal midfield monitoring system, or another's Cary/Vienna set up...). I have done this before. And what I would hear would go deeper but otherwise not be dramatically different from what I listen to at home. I would thoroughly enjoy the experience. I would leave the shop having experienced the music, the recording, reproduced beautifully and, as far as I can tell, pretty accurately. Even taking away the bass response it would vary from what I hear at home, but not all that much, and I would have no reason whatsoever to declare it either more analytical or more musical than my own system.
If by mischance the word fantasize has some hidden meaning, please accept my apologies for its use - I am a non native english writer and used it with the sense of imagine, nothing else!
No harm, no foul.
Tim