Thanks,
@hopkins, for sharing that video. From what I can see, the signal chain in the video is as follows:
- Mytek 8x192 AD/DA (connected to computer via usb cable)
- Merging Technologies
Pyramix software (audio editor and mastering suite)
- Steinberg
WaveLab software (audio editor and mastering suite)
- Cube-Tec
denoise plug-in (opened inside of Pyramix or WaveLab)
In my opinion, this workflow is focused on tape transfer and is not the same as transferring vinyl, at least in terms of processes and software. Additionally, she significantly degrades the tape’s quality. All she needs to do is use the best heads and head amplifier for the Studer and connect it directly to the highest-quality AD converter or digital recorder available. Instead, she routes everything through a patch bay and uses TRS converters on each XLR plug.
In my opinion, the best mastering engineer for transferring and restoring vinyl is
Michael Graves at
Osiris Mastering Studio
That said, even he is not particularly skilled at cleaning or caring for vinyl or using high-end playback equipment -at least he wasn't when I last checked his videos and workflow. The main issue with most professionals in this field is that they lack knowledge of vinyl playback and high-end audio. They operate under the illusion that everything can be fixed in post-processing. Of course, there are audiophile mastering engineers like
Bernie Grundman, Bob Ludwig, and Kevin Gray, but they specialize in mastering rather than vinyl restoration.