Best way of recording vinyl to pc

the best files i have heard from tape is from these guys. might be the best digital i have. and i have plenty of native DXD and 4xdsd files. vinyl rips are not in the same realm at all.

 
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Thanks, @hopkins, for sharing that video. From what I can see, the signal chain in the video is as follows:

- Mytek 8x192 AD/DA (connected to computer via usb cable)
- Merging Technologies Pyramix software (audio editor and mastering suite)
- Steinberg WaveLab software (audio editor and mastering suite)
- Cube-Tec denoise plug-in (opened inside of Pyramix or WaveLab)

In my opinion, this workflow is focused on tape transfer and is not the same as transferring vinyl, at least in terms of processes and software. Additionally, she significantly degrades the tape’s quality. All she needs to do is use the best heads and head amplifier for the Studer and connect it directly to the highest-quality AD converter or digital recorder available. Instead, she routes everything through a patch bay and uses TRS converters on each XLR plug.

In my opinion, the best mastering engineer for transferring and restoring vinyl is Michael Graves at Osiris Mastering Studio

That said, even he is not particularly skilled at cleaning or caring for vinyl or using high-end playback equipment -at least he wasn't when I last checked his videos and workflow. The main issue with most professionals in this field is that they lack knowledge of vinyl playback and high-end audio. They operate under the illusion that everything can be fixed in post-processing. Of course, there are audiophile mastering engineers like Bernie Grundman, Bob Ludwig, and Kevin Gray, but they specialize in mastering rather than vinyl restoration.
Thanks for that list and your comments. This was 4 years ago and is not the producer of the mosaic records. What I appreciate with Mosaic Records is that they do the right amount of cleaning up - not too much, which kills the sound - not too little (as the source quality is often poor). I would be curious to know what they use as well.
 
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the best files i have heard from tape is from these guys. might be the best digital i have. and i have plenty of native DXD and 4xdsd files. vinyl rips are not in the same realm at all.

I have a few (Duke Ellington - Cosmic Scene and Back to Back for example) but PCM. They do sound good. Back to Back sounds better on vinyl in mono, IMO, but that's another story and probably more a matter of preference.
 
Here is a song from an old, noisy record. The recording quality is not great either. If you want to test your software’s ability to clean a record digitally, this is a good example because it contains wooden spoons and sharp transients. Wooden spoons are similar to castanets—both can trigger a de-click software’s threshold, causing the software to attempt to remove them. This makes for a very challenging test.

Cecen Kizi - Nathan Davis, Akgunduz Kutbay, Emin Findikoglu (raw capture)

And here is the version I cleaned for comparison. The more time you spend the better it gets.

Cecen Kizi - Nathan Davis, Akgunduz Kutbay, Emin Findikoglu (cleaned)
 
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Dear @rDin which AD filter are using with ADI-2 Pro and why? Thanks in advance.
 
Dreams by Fleetwood Mac often comes off as a bit digital when ripped but this one, recorded with a Focusrite 4i4 sounds like the record:

 
I ripped 400+ LPs. I had great results, using a Korg DS-DAC-10R and VinylStudio. My audiophile friends agree. Some rips exceed what is available digitally, including Qobuz and purchased high-resolution files, some don't. I suspect different masterings.

It took a year, because of course everything is done in real time, with extra time needed for track separation and click removal. I chose 24/88.2 zero compression FLAC to conserve storage space. I have never heard any difference between zero-compression FLAC and .wav files, and I have tested many.

I decided against recording at 24/192, because I couldn't see any technical advantage. 24/88.2 has a bandwidth to 44.1kHz, and a dynamic range of 144dB, therefore should be able to capture anything on an LP.. I was concerned about storage space because I also have tens of thousands of storage-hungry photos.

I decided against DSD because of the superior metadata capabilities afforded by FLAC. In DSD, I would not have been able to remove clicks and pops, separate tracks and tag the results. To do these things, I would need to convert to PCM for processing, so what would be the point of DSD? VinylStudio click and pop reduction is an awesome feature for cleaning up a noisy record.

"Inside the DS-DAC-10R, you’ll find the same PCM4202 (made by TI) AD converter used in the MR-2000S 1-bit studio recorder. We have insisted on the same exacting quality as this recorder—which continues to be used in many professional studios."
https://www.korg.com/caen/products/audio/ds_dac_10r/

For even better performance, you could power it using an external linear power supply and a dual head USB cable, like this:
https://www.ghentaudio.com/products/u21?VariantsId=12982
 
I've also used Vinyl Studio and the results are outstanding. I use 24/192 because HD storage is cheap. I rip to AIFF. I use a Devialet 250 Expert digital out, to a Weiss D to A converter, into a MacBook Pro. I agree it's very time consuming. I don't do whole albums generally, just favorite cuts.
 
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