Also, the bigger the speaker oftentimes the bigger the problems.
For me, the law of diminished returns sets in. I've heard numerous $500,000 systems and it's a rare thing to be extremely impressed. Also, the bigger the speaker oftentimes the bigger the problems.
It is not the destination. It's the journey.![]()
former C-Net writer and he caters to a good price point.I hope to find out the answer to this question for myself.
I have to give credit to Steve Guttenberg for accumulating 197,000 subscribers! That is impressive! I don't think a channel focused on the upper end of the high-end audio market would attract that kind of viewership.
If you watched the video Steve Guttenberg never said they sound worse, just that he was uninterested. I've heard the XVs multiple times and the Chronosonics once. Neither make my wallet come out.Diminishing returns are not a part of SOTA. IMO YG Acoustics makes only one SOTA speaker, Sonja XV, now XVi, Wilson makes just one as well, Chronosonic XVX. They are designed to reproduce the sound of a symphony orchestra in a listening room. Wilson used the Vienna in the Musicverien, YG the Berlin as their goals. And succeeded. They play it all and it is evident in all music, not just orchestral. The lower line speakers aren't designed for that and don't get there.
Diminishing returns are not a part of SOTA. . . .
Would mostly agree about diminishing returns...except the two best systems I have heard (not counting big WE speakers systems) were well North of $1M (one was over $2M). They blew the paradigm apart and more was really a lot more.interesting perspective from Steve Guttenberg:
For me, the law of diminished returns sets in. I've heard numerous $500,000 systems and it's a rare thing to be extremely impressed. Also, the bigger the speaker oftentimes the bigger the problems.
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