Are you typing with one hand?
No, he's just typing...as usual
Are you typing with one hand?
Being alone in modern society is becoming a rare thing. For me, it's healthy to spend time alone in deep thought or musical meditation. The folks I feel sorry for are the people that never spend any time alone.
No tears shed for those in solitary confinement then.
I got seriously back into 2ch about 20 years ago and when my older brother stopped by for a visit, I was excited for him to hear my system. I sat him down in the sweet spot and must have put some audiophile recording on. After a few seconds he turned to me and asked "what do you do now?"...oh well.
I got seriously back into 2ch about 20 years ago and when my older brother stopped by for a visit, I was excited for him to hear my system. I sat him down in the sweet spot and must have put some audiophile recording on. After a few seconds he turned to me and asked "what do you do now?"...oh well.
Most times, people are impressed by scale and deep bass. Because great systems can do this better than typically run of the mill systems. otherwise, the little 'ting' here or the 'soundstage' there is lost on most people,
About half of my friends usually walk in and say "is that a new version of the song? it sounds clearer, or I can hear all the words, or I hear different things." But its a passing comment. The only time you get their attention is if you take a Ref Recordings Dallas Wind Symphony or 50 Cent and throw it full throttle...like pushing past 100db for a few seconds...when the bass is driving their pants to flap in the wind a bit...or their stomach is getting punched...they get this half-frightened, half-thrilled look on their face like you're doing a 120 in a car on open road in AZ...and they look at you a little breathless. That's cool...so they appreciate it...but again, its clearly 'not their thing'.
So after that, i just go back to leaving it on in the background. At the end of the nite, about half the people just look at the equipment and the speakers and say 'cool...you're clearly nuts about this...but i [guess] i get it now.'
Most times, people are impressed by scale and deep bass. Because great systems can do this better than typically run of the mill systems. otherwise, the little 'ting' here or the 'soundstage' there is lost on most people,
About half of my friends usually walk in and say "is that a new version of the song? it sounds clearer, or I can hear all the words, or I hear different things." But its a passing comment. The only time you get their attention is if you take a Ref Recordings Dallas Wind Symphony or 50 Cent and throw it full throttle...like pushing past 100db for a few seconds...when the bass is driving their pants to flap in the wind a bit...or their stomach is getting punched...they get this half-frightened, half-thrilled look on their face like you're doing a 120 in a car on open road in AZ...and they look at you a little breathless. That's cool...so they appreciate it...but again, its clearly 'not their thing'.
So after that, i just go back to leaving it on in the background. At the end of the nite, about half the people just look at the equipment and the speakers and say 'cool...you're clearly nuts about this...but i [guess] i get it now.'
If I want to impress the casual visitor, I will play something like Crosby and Nash - Another Stoney evening (in surround sound). This has not rhythm section. I will consistently get commentary that this sounds much better than it would sound being at the live event.
If I want to impress the casual visitor, I will play something like Crosby and Nash - Another Stoney evening (in surround sound). This has not rhythm section. I will consistently get commentary that this sounds much better than it would sound being at the live event.
For the non-audiophile casual visitor, I always put on something live - Eagles, Deep Purple, Muddy Waters, even Chuck Mangione. I usually get a good reaction out of that. I can't remember was the first track I put on for my wife - but she stayed the night, and spent the next day listening to music after I left for work.