Very large main space, 28'wide x41'long w/ 12' ceilings sloping up to 20' at the clerestory. . . . .
WOW! I am envious!
Very large main space, 28'wide x41'long w/ 12' ceilings sloping up to 20' at the clerestory. . . . .
when I sold the Magnepans, I thought I would really miss them. However, my listening has been much less stressful. Remember when I had the Magnepans I was driving them with the Wolcott P220 monos. Every time I turned those babies on, I would pray that they wouldn't detonate. Every time they did, I knew it would be a 6 month wait on repair and a 4K bill to go with it. So - no I guess I don't miss them.
Yea, nothing like low reliability to kill good sound, audio fix as well as ones wallet! As for the 6 month down time.....been there, done that, have the tee-shirt as a "former" OTL owner
Besides, those Quickies are great sounding amps. Bet they sound great with those Kharmas.
Welcome!
A friend had George Kaye modded Futtermans driving his Crosby Quads years ago. Sounded very nice when the amps worked but that wasn't often enough
My room dimensions were customized to fit my multichannel electrostatic speaker setup. So the room is dual purpose Music / HT and is 15' W x 25' L x 11' H
Volume is Loud, oh wait, the other volume is 4,000+cu ft
The crawl-space under this room (aprox 3,000 cu ft) is the rear chamber of the Infinite Baffle sub.
Room is heavily treated as noted in this plan:
View attachment 14639
And here's a pic of the front of the room (old PJ is now gone):
View attachment 14640
Many more details and pics on my site
Myles,
the cave has two large window elements on the ceiling's top end thus feeling you may escape if necessary... but no glass faces disturbing the sound. This room was built for only one purpose...
www.AudioCirc.com
Myles,
the cave has two large window elements on the ceiling's top end thus feeling you may escape if necessary... but no glass faces disturbing the sound. This room was built for only one purpose...
www.AudioCirc.com
Sounds amazing...thanks for that. Do you believe it surpasses your X1/Velodyne setup in all measures? It certainly seems like it...but I would love to understand a little bit more about how the 2 compare. Your project fascinates me!LL21,
I wrote a lot about the design of the BV 88 under the link microstrip provided (thanks btw). you'll see it is a completely different design than the Living Voice despite the lookings are somehow similar on the first view. The aim was to establish a horn system being able allowing going for fine nuances in music reproduction as well as driving a brutal 7.1 surround sound. The bass is phaenomenal for a horn system. The subwoofers (2x 1000 W) allow a flexible support. The point is, to let the bass horn lead the pace and avoiding giving the woofers a band which is too large.
The sealed bandpass woofers give an astonishing fast, natural and airy sonic performance with great authority and dynamics. Superb low level detail in the lowest octave.
In comparison to the X1 Velodyne 1812 it is now much better matched with the Wavacs and provides an airy horn sound as well as nice pushing bass.
Sounds amazing...thanks for that. Do you believe it surpasses your X1/Velodyne setup in all measures? It certainly seems like it...but I would love to understand a little bit more about how the 2 compare. Your project fascinates me!
+1i just clicked on this link... And had a moment..... Now i need a cigarette!!
LL21,
definitely. If you are moving from your Gryphon to Wavac or Kondo or other tube monos one day it would make sense to think about a more sensitive loudspeaker system. In your current configuration it is pretty good matched and the Wilson and the Velodyne should make you happy - as they did me too. Enjoy!:b