I think everyone needs to calm down a bit.
Everyone should, dare I say it, take a shill pill
OMG! I leave you guys alone for ONE DAY, and this is what I come back to!
I think everyone needs to calm down a bit.
Everyone should, dare I say it, take a shill pill
The thing is a really low distortion valve amp will sound like ... a solid state amp.
There is nothing wrong with added distortion ,a friend has a box where you can dial in the amount and order of the distortion you wish to add.
Keith.
who buys gear based on measurement data?
Excuse me for my ignorance, but who cares if the GG adds colouration or that the Horus is "transparent"? Surely what matters is that the converter pleases the purchaser?
I'm not trying to be argumentative; I'm just unsure what the utility of it all is. It assumes that transparency is/should be the paramount consideration; I am not sure this premise is valid.
Edit: I suggest an alternative premise may be we all like different sound, and chose our equipment accordingly.
Dude - no one is denying it is adding coloration. It is your theory that people who buy valves only do so for coloration. Two entirely different things, and the way you state things. You can do the same test with the Horus and Lampi Level 3 instead of Horus and GG, and prove Level 3 adds distortion. Does that mean a Big 7/GG user will buy Level 3? I can tell you that I would give up up to Level 6 for certain SS dacs (if they came in at a good price). So, can you start looking at what makes Big 7/GG special instead of simply saying distortion?
Who cares about measurements and colorations , Lampi is a better source of legal drug than ss designs imo . Sorry to post it in polish - in short means " listening to the music result in producing dopamine , the hormon of hapiness".
It is interesting that throughout the history of HiFi designers strived for lower and lower distortion and hence 'hi fidelity' now
distortion is actively sought, the more distortion the better it seems.
Keith.
Everyone is talking about the "Lampi sound" and how wonderful it is. When a person goes to a live acoustic music event, in a perfect acoustic environment, do they say "Wow listen to that Lampi sound"?
One thing Bruce's test will prove, if the sound of the GG and Horus playing back the GG sound is identical, a completely transparent DAC has the potential of being able to emulate the sound of 1000 coloured DAC's. But not vice versa. If the DAC is coloured, your stuck with it's sound and only its sound for life.
One thing Bruce's test will prove, if the sound of the GG and Horus playing back the GG sound is identical, a completely transparent DAC has the potential of being able to emulate the sound of 1000 coloured DAC's. But not vice versa. If the DAC is coloured, your stuck with it's sound and only its sound for life.
I average once a week/10days to classical concerts - and then I come back to the Lampi and say Wow listen to that live music sound produced closest here. Fyi, the more concerts I go to, the less I can listen to pure SS gear. I take it you don't go to classical concerts
Audiophile Bill, the other Lampi lover, used to be a first trombonist
lol - people buy Lampi because it sounds great out of the box, and because you can keep tweaking it's sound for life. If you buy a SS dac, you are stuck with it for life. Fyi, you can also change the Lampi sound by changing the frequency curve of your software
You will never be able to emulate the exact sound of something else with something that's colored. Nor will you be able to get an exact rendition of what the original producer wanted you to hear. Personally I think guys like Bruce B are doing an excellent job as it is. But at the same time, I agree when you have tracks that aren't so wonderful to begin with, it's nice to have that coloration to sweeten things up.
Nobody is claiming there's any problem with this.
You mean Channel Classics DSD recordings of Mahler? But you wouldn't know Mahler from Madonna, so that's fine
Actually this would make sense , a large percentage of the sound you hear in a concert hall is reverberant , ie reflected sound.
IME nos dacs tend to sound a little fuzzier than over sampling designs.
Adding distortion to every record, whether a great or poor recording ,doesn't sit well with me, I would rather hear a recording as it was intended to be heard.
Keith.
Classic NOS designs tend to roll off treble, and introduce distortion, because they do not use a reconstruction filter, see John Atkinsons review of the Zanden nos dac in Stereophile.
Keith.
Bruce is going to record some tracks via the analog outputs on the GG with the Merging Horus and Pyramix. Then he's going to play them back on the Horus DAC, and compare with the original tracks played on the GG. If the Horus's ADC and DAC section is completely transparent, they should be indistinguishable from each other with the levels set the same.
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