You mean I flunked my chances getting girls up there only to talk choices on fuses?
i KNEW i should have talked tonearm effective lengths!
You mean I flunked my chances getting girls up there only to talk choices on fuses?
i KNEW i should have talked tonearm effective lengths!
Bob, I suspect a few things would have helped. Getting the system in the middle of the room width, rather than purely to one half of my 27' width...as was, one spkr 2' from an LP rack, the other 14' from the other side wall...I'm sure this never helped. Big drapes on the windows, substantial rugs everywhere, would have contributed.
My self same system in this dedicated space, nothing optimised, was as dramatic an indicator that my previous acoustics were poor beyond measure.
One starts a Magico thread and never imagines it can become about set up and room issues with a Zu system. Reminds me of the stories of Michael Jackson's transformation from the boy in Jackson Five to the King of Pop.
Putting on my forensic lawyer's cape, I don't believe I mentioned Z* once. Just that this room so reminds me of my old space. Even this Z* fanboy is not stupid enough to mention Z* on an M9 thread. Happy for others to.
Hi Ron,
The M9s were, for the last octave in music, not designed to "require" the M9 as the M9s go down to 18HZ. For those that want to go down to 15Hz, then yes you can add Q18(s). The Q subs work with the M9s if desired.
I could see adding either Q15's or 18's for HT applications. I could see the SCC center channel, the M9's for R/L, two M2 or M3s for rears (sides as well) and then a pair of the Q subs for LFE. I'm actually talking to a client about this type of set up for an upcoming new home in '21/'22.
It all depends on the user's sonic preferences as well as the room, many options are available.
So, do we get a hint of what this audioporn photo is actually? The true room of the new M9 installation with the M9s projected into the space? A mystery loft owner who already posses the M9s? Pure fantasy? Can't wait till there is someone who can compare the sound of the M9 with the obvious competitor from another large American speaker manufacturer that sells a speaker system at a similar price. Hey Carlos, if you want company on your road trip to NYC, I am up!
So, do we get a hint of what this audioporn photo is actually? The true room of the new M9 installation with the M9s projected into the space? A mystery loft owner who already posses the M9s? Pure fantasy? Can't wait till there is someone who can compare the sound of the M9 with the obvious competitor from another large American speaker manufacturer that sells a speaker system at a similar price. Hey Carlos, if you want company on your road trip to NYC, I am up!
Well you can always add subwoofers to help smooth out room peaks / nulls. Those giant woofers are certainly going to exacerbate room modes relative to the 2 speakers' locations.Hi Ron,
The M9s were, for the last octave in music, not designed to "require" the M9 as the M9s go down to 18HZ. For those that want to go down to 15Hz, then yes you can add Q18(s). The Q subs work with the M9s if desired.
I could see adding either Q15's or 18's for HT applications. I could see the SCC center channel, the M9's for R/L, two M2 or M3s for rears (sides as well) and then a pair of the Q subs for LFE. I'm actually talking to a client about this type of set up for an upcoming new home in '21/'22.
It all depends on the user's sonic preferences as well as the room, many options are available.
Well you can always add subwoofers to help smooth out room peaks / nulls. Those giant woofers are certainly going to exacerbate room modes relative to the 2 speakers' locations.
Because the A5 is the first now deliverable speaker in the Magico line-up with a "taste" of the technologies that were developed for the M9.
The A5 illustrates transparency, resolution and clarity in the midrange and mid-bass that this set of old ears has never experienced prior. I was stunned to first hear it. But not stunned enough to realize how special what I was hearing had been realized.
With all due respect, are you saying that you've never experienced the transparency, resolution and clarity in the midrange and mid-bass with any of the other Magico models including their top tier offerings? I assume you've been a Magico dealer for awhile and have heard their previous offerings.
Again with respect, I also note that the MSRP of the A9's is close to the limited edition Wilson Chronosonic. $750K +/-. Is that just a coincidence or is Alan keeping up with the Joneses? Seems to be a common occurrence / practice in hi end audio pricing to test the upper limit of what the uber expensive market will bare.
Good luck with finding a new retail space.
Best.
With all due respect, are you saying that you've never experienced the transparency, resolution and clarity in the midrange and mid-bass with any of the other Magico models including their top tier offerings? I assume you've been a Magico dealer for awhile and have heard their previous offerings.
Again with respect, I also note that the MSRP of the A9's is close to the limited edition Wilson Chronosonic. $750K +/-. Is that just a coincidence or is Alan keeping up with the Joneses? Seems to be a common occurrence / practice in hi end audio pricing to test the upper limit of what the uber expensive market will bare.
Good luck with finding a new retail space.
Best.
From what I’ve read its the new technology used in the drivers that makes the difference. I’m a delighted user of S1MkIIs in my near-field system and I’m already anticipating the MkIII with the new driver technologyThanks for the clarification. Yes, Goldmund has been an outlier for some time but there's been a major increase and new wave of uber priced speakers over the past several years. Example. How many speakers are now priced in the $200 to $300K region (or above) compared with five years ago? Sorry you couldn't answer my first question. FWIW, I have no axe to grind with Magico but am curious as to why the A5 and M9's are so different in transparency, resolution and clarity from previous models.
From what I’ve read its the new technology used in the drivers that makes the difference. I’m a delighted user of S1MkIIs in my near-field system and I’m already anticipating the MkIII with the new driver technology
Thanks for the clarification. Yes, Goldmund has been an outlier for some time but there's been a major increase and new wave of uber priced speakers over the past several years. Example. How many speakers are now priced in the $200 to $300K region (or above) compared with five years ago? Sorry you couldn't answer my first question. FWIW, I have no axe to grind with Magico but am curious as to why the A5 and M9's are so different in transparency, resolution and clarity from previous models.
I'd love to see a shootout between A5, S3 mk2 and M2 just for fun.
I just did one for a customer with A5 and M2 yesterday. They both sounded really good was their comment. The customer's comment was a bit different but both very good.