I know from three that they were thinking about it afterwards. That doesn't mean that they were enticed to become audiophiles.
Just like I was not enticed after the experiences in Austria of a Porsche GT3 RS and the, for me at least equally impressive, experience of my friend's extremely light-weight Alpine A110 (loved that car on the tight-cornered Austrian mountain roads!!!!!!) to go out and buy a sports car myself. I still love my little 2015 Nissan Versa, which is its own little fun in corners (no, not comparable with the A110).
Alpine A110:
Now you are again talking from your perspective as already being an audiophile, and then ask if my non-audiophile friends were transformed like you were, having already been an audiophile when visiting Utah. I don't quite see the logic here.
Well, you already had a system back then, when you heard the Magicos. So yes, that made you at least a budding audiophile.
You should ask yourself another question: How many of the non-audiophile people who you told me were in love with the sound your horn system have become audiophiles? You know the answer. It makes my point.
Al, you left out the second crucial part of the sentence in my response to Brad. Here it is again in full:
“I agree Brad. Listeners have to leave thinking about that listening experience and sound and wanting to get more of it.”
“Wanting to get more of it“ to me seems independent of whether or not one is an audiophile, budding or otherwise. And that is the key to increasing exposure and growing the hobby, IMO.
Both conditions must be met I think. Lots of people get impressed when hearing good systems, some even think about the experience afterwards, but if they are not interested in recreating some of that for themselves, they’re not going to pursue the hobby.
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