In your photo you’re using a large thick block of wood in this case the type and density, shape, size of the wood matters not so much with 0.5” thick coasters.Okay understand
david
In your photo you’re using a large thick block of wood in this case the type and density, shape, size of the wood matters not so much with 0.5” thick coasters.Okay understand
In your photo you’re using a large thick block of wood in this case the type and density, shape, size of the wood matters not so much with 0.5” thick coasters.
david
It was regarding the small thin slices of wood Peter has placed under his equipment, they’re too insignificant for species to matter as long it’s dense hardwood and serve a different purpose than your thick wood base.Yes it is a large plinth I made up. It uses a mixture of different hardwoods.
I am not sure I understand the comment with the coasters?
It was regarding the small thin slices of wood Peter has placed under his equipment, they’re too insignificant for species to matter as long it’s dense hardwood and serve a different purpose than your thick wood base.
david
Peter, further to confirmation I haven't understood you again, your combination of wooden blocks under gear, or steel on wood, are all tweaks. Definitely less pricey than Vibraplane or Stacore or Centre Stage, but tweaks nevertheless. Pop your Pass amps on the floor, and yr SME on the most domestically acceptable piece of furniture like an antique sideboard, and if you still feel tweaks are counterproductive, let us know. I'm afraid steel on dedicated stand is a tweak however you cut it. Amps on the floor and tt on a standard piece of domestic furniture, now we're really talking proper de-tweaking.
Peter, are you considering going the whole nine yards? Amps direct on floor, tt on sturdy domestic sideboard, maintaining all stock rubber footers? We would be most curious to hear about that.
Otherwise you sound like a sex addict who is promising to go monogamous, but only on weekends Lol.
Indeed everything is a tweak, incl what you had for breakfast that day. Peter may think I'm jibbing him, but I'm truly curious as to if he is seriously getting mileage in stripping his ancilliaries back, he doesn't go further, and put the amps on the floor, the tt on a beautiful sturdy antique sideboard that would enhance his room aesthetics. In decades past, before audiophilia took off, owners of serious hifi would have done that very thing.Amps on which kind of floor? What "standard piece of domestic furniture"? Everything is a tweak, including adjusting the toe in of speakers.
None of this is new Francisco actually these concepts have been around for a long while and been proven to work over that time but somehow this basic knowledge disappeared when the high end magazines started to get traction and wanted to sound important recommending all kinds of crap. Dimensions and shape of turntable’s base have an effect but you’re not tuning either when using a single material, it’s not the case with these steel plates.Well, the influence of metals has been discussed since long - I immediately remember Goldmund reports that associated steel, brass and aluminum. For example, Magico are currently known for their work in this area. If you use single materials you should play with the dimensions or shapes to tune it, another approach.
Haha, no thanks. I find yr response fascinating, but not in a good way. Happy not to pollute any further.Marc I kindly ask you to leave the discussion and stop polluting my system thread with utter nonsense. Contact me off-line if you must
Marc I kindly ask you to leave the discussion and stop polluting my system thread with utter nonsense. Contact me off-line if you must
(...) Dimensions and shape of turntable’s base have an effect but you’re not tuning either when using a single material, it’s not the case with these steel plates.
david
Are you saying that if you use any other metal in these slabs, such as copper or brass, will have the same effect in Peter system? Or using a multilayer metal structure, much easier to handle?
Just to be precise I am also addressing the slabs to be put under the Pass equipment.
It was regarding the small thin slices of wood Peter has placed under his equipment, they’re too insignificant for species to matter as long it’s dense hardwood and serve a different purpose than your thick wood base.
david
Now you are selling yourself shortNone of this is new Francisco actually these concepts have been around for a long while and been proven to work over that time but somehow this basic knowledge disappeared when the high end magazines started to get traction and wanted to sound important recommending all kinds of crap. Dimensions and shape of turntable’s base have an effect but you’re not tuning either when using a single material, it’s not the case with these steel plates.
Edit- I keep repeating this but high end was already perfected by early 60’s, what came later is some incremental progress because of new materials and parts. Nothing new or innovative in the tt world since the 70’s super Reference players either.
david
“Lines on the mirrors, lines on the walls”Peter it's a trap. Once he contacts you offline and starts chatting it is like tweaks and hotel California, you get in, you can never leave
You will get a slightly different effect with copper shelf but not much in this case and 1” copper is a lot more expensive than steel. The main purpose of steel is mass loading in this application, you don’t need to complicate matters. This process is to get Peter to a place where he has a proper baseline with a natural sounding system. From here he can make educated decisions if he feels the need to go further. The clutter and snake oil is what kills any system, at this point he can figure out what this junk does going forward. Also try his speakers without any toe in next.
david