May be the system/room employed did not have the resolution to show up the difference between AF1 and AF2? I completely agree with rockitman that it is easy to hear the difference between two AF1 platters. Heck, I could hear the difference between having the motor cover on and off with the AF1 (even though this I totally did not expect). On the AF1 I had experience with (prototype suspension) you can even hear the difference when using different racks under the HRS platform provided.
I don't doubt that one could easily hear the differences between different platter materials on the same turntable, but if both tables had the same platter, would their differences be very audible? Just curious. Aesthetically and price wise, there is a very big difference between the two tables. The AF1 appears much more refined with exemplary fit and finish. And it seems to be an extremely well designed/engineered and fairly complex product.
And what do you make of the designer himself saying "basically no difference" when asked about the AF1 and AF2 comparison? What do you think he meant with that response?
I wonder how different the two Kronos tables sound, or the SME 30/3 and the 20/3. Of course I can't be sure, but I would think that their designers would describe the sonic differences in pretty clear terms and describe the reasons.
Nishikawa-san's response is pretty interesting.