United Home Audio Tascam decks

rockitman

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Sep 20, 2011
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Anyone have experience on how good they sound ? Is the top modded repro amp version the best sounding RTR playback available, including those with wired out heads to bottlehead or king/cello pre's ? They are expensive, but if all the internals are re-worked/replaced and it is SOTA playback performance maybe they are worth the money ?
 
Anyone have experience on how good they sound ? Is the top modded repro amp version the best sounding RTR playback available, including those with wired out heads to bottlehead or king/cello pre's ? They are expensive, but if all the internals are re-worked/replaced and it is SOTA playback performance maybe they are worth the money ?

While I myself have a Technics 1500 rebuilt by Jeff Jacobs at J-Corder and modified by Doc B at Bottlehead into the King/Cello pre-amp, I have heard Greg's UHA decks a number of times a number of times, and they are stupid good. Absolutely beautiful playback. Are they the "best"?
I can't say they are and I can't say they are not. With the huge uptick in Reel to Reel in the high-end community there are some mighty fine machines to be had, including the afore mentioned UHA, the Studer family, and for the gonzo among us, a tricked out ATR 102.

That said, my modest 1500/King Cello setup gives my Walker TT a run for it's money in analog reproduction.

The UHA decks are real eye candy to see as well. They are completely reworked and my 2 cents worth says they sound great and are worth the money. YMMV...
 
While I myself have a Technics 1500 rebuilt by Jeff Jacobs at J-Corder and modified by Doc B at Bottlehead into the King/Cello pre-amp, I have heard Greg's UHA decks a number of times a number of times, and they are stupid good. Absolutely beautiful playback. Are they the "best"?
I can't say they are and I can't say they are not. With the huge uptick in Reel to Reel in the high-end community there are some mighty fine machines to be had, including the afore mentioned UHA, the Studer family, and for the gonzo among us, a tricked out ATR 102.

That said, my modest 1500/King Cello setup gives my Walker TT a run for it's money in analog reproduction.

The UHA decks are real eye candy to see as well. They are completely reworked and my 2 cents worth says they sound great and are worth the money. YMMV...

Thanks for sharing your opinion. I think I may go the way of an ATR-102 with the Aria repro electronics. ATR services is 6 hour drive for me.
 
Nice one if you do , look forward seeing the pics then.
To be honest from a technical standpoint i like the precision motorworks / ATR services backed ampexes more than UHA , although the sound could be better i dont know, i personally think the magnetic tape playback/record technology is where most of the gain is , but the player must be of a certain standard off course

By the way myles could chip in on the sound....where is myles ??
 
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Thanks for sharing your opinion. I think I may go the way of an ATR-102 with the Aria repro electronics. ATR services is 6 hour drive for me.

i've heard the ATR-102 with Aria, and it's very good.

even though i've not actually heard my ATR-102 with the King-Cello, i suspect that i would prefer that to the Aria....as i know how my Studers sound with it and do prefer that performance to my recollection of the Aria. and i do think a stock ATR-102 betters slightly a stock Studer A-820.

OTOH with the Aria you do have the option of also using the Aria as an input circuit and the one box aspect has it's advantages.

FYI; as much as i can tell from my listening to the UHA Tascams at shows, i don't see them in A820/ATR-102/King Cello territory. this viewpoint is highly provisional so don't put too much weight with it as i've never directly compared those products. but you are asking.....so.....
 
Didn't Bruce just post that he didn't like the ATR/Aria?
 
That is a nice machine .
It has a low maintenance /high tech look which i like.
Buying an old studer will leave you with old unserviced motors /old bearings and what not . bearings can be changed of course but i get the impression these ampex machines are built from the ground up .
This is a different level of machine revision it lookslike
Bruce used it for recording /playback i would use it mostly for playback
 
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Te seem to be differing opions about ATR stock amps versus Aria.

http://prorecordingworkshop.lefora.com/2011/07/31/aria-tape-electronics-opinions-2/

Thanks for that...kind of mirrors Bruce B's rec, that the ATR may be more fun to listen too stock without the Aria. Anyone know what the Aria (repro only) costs ?

Apparently the aria has a extremely flat response...maybe that is why there may be more punch in the bass and extension in the midrange (not as flat) with the stock ATR ?
 
Thanks for that...kind of mirrors Bruce B's rec, that the ATR may be more fun to listen too stock without the Aria. Anyone know what the Aria (repro only) costs ?

from memory;

the Aria for repro only is around $4k plus shipping of your deck to and from ATR. it's $6k for both input and output circuits. that was from 6 years ago when i got my ATR-102 from Precision Motor Works. i went back and forth at the time and decided in the end to go stock.

i would guess the price is likely more now.
 
from memory;

the Aria for repro only is around $4k plus shipping of your deck to and from ATR. it's $6k for both input and output circuits. that was from 6 years ago when i got my ATR-102 from Precision Motor Works. i went back and forth at the time and decided in the end to go stock.

i would guess the price is likely more now.

Thanks Mike. If I go this route (I will go stock sans Aria) I can drive to get my unit (5.5 hrs) and time it to attend a calibration seminar. (ATR Services). Looks like they can upgrade internal components for the stock unit, including wiring, caps, IEC connector for using high grade power cables ect.
 
Thanks bruce, In addition to the comments in the link and others , things are always system dependant , to someone with a speaker with a basshump , the aria may sound the best versus the not flat stock ATR and vice versa, i would also like to see the FR of the speaker used for the comparison
 
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ATR Services is a really cool place to visit. A number of years ago, I was visiting a friend who had a business a few doors down in the same office park (the late Red Trumpet Records). He took me over to ATR. When I was there, they had the original 2 inch multi track machines from Abbey Road Studios in for work. These were the very machines the Beatles used for some of their stuff. It was like a convention for Ampex transports and electronics!
 

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