@Daro … Do you possess the same recording ( or V close similarity ) on vinyl ? And if in the affirmative , by way of comparison might we hear your EMT 930 , If available , playing in the same system ?
Videos - oomph, tympani, menace, power
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@Daro … Do you possess the same recording ( or V close similarity ) on vinyl ? And if in the affirmative , by way of comparison might we hear your EMT 930 , If available , playing in the same system ?
I haven't listened EMT for a long time because of my laziness
I'll look for the vinyl that's in the attic now and we'll see
do you want me to be disappointed with digital?
Cool, Heh , No no… merely an interesting exercise , speaking of which , activity via climbing into lofts should be encouraged in the middle aged audiophileI haven't listened EMT for a long time because of my laziness
I'll look for the vinyl that's in the attic now and we'll see
do you want me to be disappointed with digital?
If you think the difference is due to sample rates then you need to find another hobby
Hi Daro,
I am just curious:
What are your in-room impressions when you compare your Wiim/Apogee set-up to your modified Douk U4 set-up?
From a musicality POV, are they about on par or is one superior?
Thank you
this topic is about videoHi Daro,
I am just curious:
What are your in-room impressions when you compare your Wiim/Apogee set-up to your modified Douk U4 set-up?
From a musicality POV, are they about on par or is one superior?
Thank you
I like both sets, I have many other DACs because I have never found the perfect one
for me musicality in digital is a difficult subject
Apogee is more musical especially when playing with dcs bridge AES/EBU, with Wiim it is less
Apogee is fantastic for me and strangely it replaced Lavry Gold for me which is even more musical
if you use good quality oil capacitors in Douk it will be more musical, everyone knows
that's what my friend did but it lost clarity and dynamics when I compared his U4 with my Douk, Mullard e88cc will also improve musically, you probably found information that Mr. Yazaki likes Mullard and Brimare in Douk
but Ericsson tube plays damn well but it is a neutral sound, my friends said that the violin from Ericsson is wonderful and the best of all tubes in Douk when playing instrumental music
I usually avoid suggestions because everyone has a different system and sound taste
what is good with a vintage system is not always good for modern systems
your choice
regards Darek
Would be great to hear your views on the sound of these videos...Hi Daro,
I am just curious:
What are your in-room impressions when you compare your Wiim/Apogee set-up to your modified Douk U4 set-up?
From a musicality POV, are they about on par or is one superior?
Thank you
My attempt:
I like the sound in my room (best I've had so far) - but it could of course sound like crap to anyone else - we do what we can - and it's always work in progress...
I recorded it with my Sonic Presence SP15C microphone because my cell phone microphones are worthless. Recording is with Audacity on a macbook. I amplified the volume by 10db in Audacity, otherwise if the recording volume is set too high, there's too much background noise (which there is a lot of - I may be doing something wrong...).
The original file if you want to hear (or not) what YouTube does: https://storage.googleapis.com/cloudplayer/samples/vivaldi amplified 10db.wav
- we do what we can - and it's always work in progress...I recorded it with my Sonic Presence SP15C microphone because my cell phone microphones are worthless. Recording is with Audacity on a macbook. I amplified the volume by 10db in Audacity, otherwise if the recording volume is set too high, there's too much background noise (which there is a lot of - I may be doing something wrong...).
The original file if you want to hear (or not) what YouTube does: https://storage.googleapis.com/cloudplayer/samples/vivaldi amplified 10db.wav
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Bartók's 'Concerto for Orchestra' is perhaps his most accessible work. (!) It was commissioned to him toward the end of WWII by conductor Serge Koussevitzky while Bartok lay in a hospital bed suffering from leukemia. The work revived him for a while but a year later he succumbed. This Concerto is in five movements and as best I can tell, none of them relate to the others. The 4th movement is, imo, one of the composer's most melodic pieces.
Here is the 1st movement. It features a particular Bartókian style called 'night music' From my review of his Piano Concertos, most of this still holds for the piece at hand: "Bartók’s orchestrations feature percussion, brass and woodwinds, while relying on strings for texture and atmosphere. Each piano piece includes instances of Bartók’s famous "night music," a sound portrayal he often used in slower movements. Instead of harmony and melodic development, Bartók delivered his interpretations of nocturnal sounds from animals and insects, often using drum and cymbal taps, strikes and splashes. The meaning of these concertos always seems just around the corner, just out of reach. Nonetheless, for those willing to explore, each work offers wonder, obvious genius, and a celebration of the sheer physicality of sound."
If Stravinsky is a rhythmic devil, Bartok is a rhythmic dervish. Note the continually varying time changes in this piece. While its intro section is slow semi-brooding, overall, from Andante to Allegro Vivace, it can be as feral as some of Bartók's earlier works.
Here with the Lamm M1.2 monoblocks.
One of the best from The Original Source series by Deutsche Grammophon
Bartok 'Concerto for Orchestra' 1st Mvmnt (Introduzione) Andante Non Troppo – Allegro Vivace
Rafael Kubelik/Boston Symphony Orchestra
DG TOS 2530 479
Here is the 1st movement. It features a particular Bartókian style called 'night music' From my review of his Piano Concertos, most of this still holds for the piece at hand: "Bartók’s orchestrations feature percussion, brass and woodwinds, while relying on strings for texture and atmosphere. Each piano piece includes instances of Bartók’s famous "night music," a sound portrayal he often used in slower movements. Instead of harmony and melodic development, Bartók delivered his interpretations of nocturnal sounds from animals and insects, often using drum and cymbal taps, strikes and splashes. The meaning of these concertos always seems just around the corner, just out of reach. Nonetheless, for those willing to explore, each work offers wonder, obvious genius, and a celebration of the sheer physicality of sound."
If Stravinsky is a rhythmic devil, Bartok is a rhythmic dervish. Note the continually varying time changes in this piece. While its intro section is slow semi-brooding, overall, from Andante to Allegro Vivace, it can be as feral as some of Bartók's earlier works.
Here with the Lamm M1.2 monoblocks.
One of the best from The Original Source series by Deutsche Grammophon
Bartok 'Concerto for Orchestra' 1st Mvmnt (Introduzione) Andante Non Troppo – Allegro Vivace
Rafael Kubelik/Boston Symphony Orchestra
DG TOS 2530 479
Nice video Tim, and I appreciate your notes on the music. Thank you for sharing.
The fifth movement of this has the requisite welly (starts 4.42):
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