Are you saying that CD playback is more natural and realistic than high end vinyl playback as compared to reality?david
This is at the heart of the matter. The question is often asked and rarely answered. I have also asked how different the direct mic feed played through the studio monitors sounds from the live performance in the next room. That question also remains unanswered.
This whole thread seems to be a discussion about:
1. how accurate a copy the digital file is to the original recording, and
2. whether or not analog playback through a system sounds like real music
These are two different discussions and perhaps that is why we seem to keep going around in circles. When discussing #1, digital guys defend theories and write that analog lovers like distortions but that is fine if they prefer that sound. When discussing #2, analog guys contend that vinyl sounds more real and describe things like tone, naturalness and live music. They acknowledge that digital is improving, but that it still does not sound as real to them.
I am disappointed, and a bit surprised, that some people on this forum refer to "digital guys" and "analog guys".
I would think that such guys are a small minority of "extremist" audiophiles, surely?
I enjoy both, and have used both for decades as do most of the other audiophiles of my aquaintance. I have fabulous sounding and gash LPs. I have fabulous and gash sounding CDs. In fact the worst CDs tend to be recent remastered ones, not early ones which usually rejoiced in and exploited CDs dynamic range, something new to home listening at the time.
My preferred recordings tend to be those made with a simple microphone layout, which tend to be earlier, whether CD or LP.
Or design their own chips from scratch like dCS and these are constantly new ones with new algorithms. And while the Trinity that you had used old chips, the LianoTec configuration was a brand new design. And it made PCM enjoyable for you to a degree you never experienced before.
Apart from the above, I could not have gotten the sound quality that I have from my Berkeley Alpha DAC 2 for the same price a few years ago.
And? Again, according to several people here the American Sound turntable still beats a number of newer designs.
O.k., let me not belittle new designs in analog. But then, you should also refrain from doing the same for digital.
And it's still the good old LP. Your point?
Peter
Indeed, thanks for the summary
As a point of clarification I see people are alluding to comments I made about the TechDas vs the AS and the EMT 927 as sounding better than my TechDas AF1 (which I love BTW). The reality is that the AS as best David knows has only 2 in existence. It was mesmerizing to my ears as was the EMT 927 with the same arm and cartridge. From this please do not infer that the AF1 is any slouch as it is far from that. As David also pointed out he also had 2 Micro Seikei TT's set up which I also did not hear.
no where did I, nor would I, belittle digital. likely I've invested as much or more in digital as anyone here. I listen to it daily and love it. I have 15+ terabytes of digital on my server.....and 4000 silver discs in my room.
it's only when vinyl is targeted as not correct, or lacking in some way that I post concerning that comparison. since I spend so much time with both.
is vinyl quite a bit better and more real to listen to? absolutely. do I look down my nose at digital? no, not now or ever. please read what I write, not assume some position I've never taken.
Slight correction Steve, I only came across the two AS tables in over twenty years of searching and bought both, there probably are a few more out there, but very few were built anyway!
david
Why can't we agree that
a) From a specification perspective, digital (DSD in particular) has the upper hand on vinyl.
b) Vinyl "colorations" for lack of a better word offer the human ear more pleasing sonics (for some).
c) No recording format or system sounds like the live event, they are a facsimile of said event that we strive to improve via audio tweaks/gear changes.
Why can't we agree that
a) From a specification perspective, digital (DSD in particular) has the upper hand on vinyl.
b) Vinyl "colorations" for lack of a better word offer the human ear more pleasing sonics (for some).
c) No recording format or system sounds like the live event, they are a facsimile of said event that we strive to improve via audio tweaks/gear changes.
I am a sucker for myths. So please explain.a and b are myths with hints of truth but which cloud the real picture.
Would you be so kind as to let me know any way in which LP measures better than red book, let alone higher resolutions?
I am a sucker for myths. So please explain.
sbo?
May I perform some slight editing of your post...
a) Specs wise I am not so sure DSD has the upper hand on PCM ...
b) Vinyl "renditions" offer some humans ears a more pleasing portrayal of the sonics.
c) No recording formats or system sounds like the live event, they are (sometimes reasonable) facsimile that we should strive to improve .. Not knowing what the original was and in the absence of an objective goal it remains a crapshoot and lead to this kind of argument
Sorry
As I mentioned before, bandwidth for starters.
How can anyone possibly answer that question in an acceptable manner (one in which you would agree and not contest) given your obvious bias towards vinyl?
This thread again highlights the apparent need for some analogue lovers to tell people who really enjoy listening to CD's, how much we reaaaaaaaally don't know and what we are reaaaaaaally missing unless we listen to a properly set vinyl system. Frankly, it comes across as elitism and doesn't serve the purpose of owning a music system. That being to enjoy listening to music versus the gear. How truly sad and unfortunate.
You're not going to become a hoarder now are you
As I mentioned before, bandwidth for starters.