Would you care to describe what it is about them that causes you to prefer others more, and which ones you do prefer more? I was considering them for my GG2 so I’m curious.
Would you care to describe what it is about them that causes you to prefer others more, and which ones you do prefer more? I was considering them for my GG2 so I’m curious.
The EML 45 mesh AGs are less transparent and less dynamic than my other favorites in my systems.
Maybe I will try the EML 45 mesh AGs again some time to confirm (again) or deny (for the first time)...
The EML 45 mesh AGs are less transparent and less dynamic than my other favorites in my systems.
Maybe I will try the EML 45 mesh AGs again some time to confirm (again) or deny (for the first time)...
Each tube type has a sound over all
and in a Lampi it’s bit more complex due to how they use them. the globes add holographic sound at the expense of noise floor. at least this is how I hear them.
Each tube type has a sound over all
and in a Lampi it’s bit more complex due to how they use them. the globes add holographic sound at the expense of noise floor. at least this is how I hear them.
For me, in my system, the EML 45 mesh AG sounds somehow hollow in the mids, over all too soft and lacks dynamics, compared to my personal favorite tubes, the RK 242 and the PX25
You ordered one
Do you use and love the EML 45 mesh AGs with the Ayon Crossfire 3 integrated? Or was that with your summer amp?
I could try the AGs in the C3 as well
You ordered one
Do you use and love the EML 45 mesh AGs with the Ayon Crossfire 3 integrated? Or was that with your summer amp?
I could try the AGs in the C3 as well
KR 242 is a replica of telefunken 242. It was first done for Allnic, because Allnic was using it in their top of the line DHT phono (5000, now the 8000)