Hi, was just listening for a bit at Audiophile Bill's place. We tried the KR45s (which put me to sleep), the WE 101D replicas, and the KR balloon 300bs. We also tried the KR 274b and the 5u4g recti. We also had a Tara Cobalt, a Siltech Ruby double crown lent by a friend (it retails at 18k), and an excellent specially customized Sablon power cord. We also had Tellerium Q's second from the top speaker cable, to compare with the audience 24se.
Trust me, and think Bill will confirm when he comes online, these things made minimal difference. What made the difference was when we put my KR 242 in. Bam. End game. We did a lot of dems on Danse Macabre, and each note had a super grip with the 242s. The attack on each note, the pause, the time intervals, the dynamics swings, were all incredibly enhanced without having to listen for it. The dynamics and bass were superb, with extra cleanliness and resolution, the details in the bass just stood out. Soundstage, immersiveness, throw any term from that audiophile dictionary recently posted, and it was in multiples. The ease of the swing from low to high itself made it musical.
We also heard his Kuzma TT and Triplanar and Lyra Kleos. But over there fluidity in violin aside, the 242 stood out.
This is probably the strongest recommendation I will make since I have been posting about the Lampi. If you have a big 7, forget sending it for a GG upgrade. If you have a GG, forget about the 512 upgrade. First get yourself a 242 pair. If you have the GG, send it back to get it tweaked for a 242. Since Bill replaced his AR Ref 3 and Krell 750 fpbs with the Analog Domain integrated, his gain changed to allow the 242 to play, but we were still getting some distortion on some tracks, while Danse Macabre for whatever reason was playing fine.
10 times out of 10, a Lampi with 242 on PCM will beat a Lampi with other valves on DSD256. Haven't compared the PX25, Elrog or Tak 300b yet, but find it difficult to foresee a bigger jump. But hope that answers your query about 512. You can get it, but doubt that will be the differentiating factor.
Hi Ked,
Yes - it was a really enjoyable listening session for sure. I am aligned with your thinking in that the Kr242 seems to be in a different league for the large scale classical we were listening - not even close to be honest and so much so that I will need to get my GG tweaked to allow use of these moving forwards. I think it is useful to point out to people that the new Lampi Anni 5u4g was an important part of this infectious mixture - remember with the Kr 274b it is too much of a good thing. But I agree that the macro level enhancement of the dac with the 242s was very large.
I want to give a shout out also to the new Sablon Elite Reserva cable which was able to see off the Siltech Ruby Double Crown off without too much problems. I was also very impressed with the "weight" of the Tellurium Q black diamond speaker cables - definitely a leap over the ultra black and no issues beating off the Audience.
In terms of the sampling thing -> as I said before (and I hope you also agree), the Lampi PCM really is very close to dsd now that I am not so bothered about upsampling red book stuff or Tidal streaming as I am fully satisfied native.