In House stepped attenuator (Jinro)
Here is one of Kondo’s in house stepped attenuators.
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Audio Note UK vs Audio Japan Sonic Differences
- Thread starter caesar
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Here is one of Kondo’s in house stepped attenuators.
I hope not to get too off topic now. I have a brief comment/question on the subject of Kondo and preamps.
Before I built my Aries Cerat system, I used a Koda K10. Before that I had read a lot about Robert Koda and came across discussions about his preamps in some internet forums. In one thread I read about several Kondo users who had exchanged their preamps (including the M-1000) for Koda preamps. The tenor was: like Kondo sound, but more of everything.
A used K10 is now very affordable. It might be possible to build a good Kondo system (Kondo SUT, Kondo Phonopre and Kondo Poweramp) with it. Does anyone here have experience with this?
Before I built my Aries Cerat system, I used a Koda K10. Before that I had read a lot about Robert Koda and came across discussions about his preamps in some internet forums. In one thread I read about several Kondo users who had exchanged their preamps (including the M-1000) for Koda preamps. The tenor was: like Kondo sound, but more of everything.
A used K10 is now very affordable. It might be possible to build a good Kondo system (Kondo SUT, Kondo Phonopre and Kondo Poweramp) with it. Does anyone here have experience with this?
I don’t know for sure but I think it’s possible. On the other hand if you’re going to have only one Kondo product it should be one of their preamps. IMHO preamp is more effective than others on defining sound characteristics.
Kondo and koda are very different in sound. Also the Sigma MAAT driven by full Kondo was much superior to the one driven with Koda power amp, different room, and yes the one with koda was very good and the second best of the 4 Sigma MAAT systems I heard
Not really, old quad two amps are the benchmark in operational safety and there are no disturbing noises at horn speakers 105db/1watt. no cable ties to attach capacitors. for me No Go in expensive amps. Exsample how you build amplifiers.
Peter sounds like a nightmare to deal with professionally, and I’m sure Kondo-san, the genius that he was, was not an easy person to work with either.
I have many issues with Peter’s letter which simply are not true. Just to highlight one:
Ultimately, I blame Kondo Japan for entering into an agreement which gave ANUK so many broad rights. Clearly, K-J did not have good legal advice. But I get it, Kondo was a brilliant engineer, not a business man.
I don’t see any evidence that Peter helped “create” the products, other than his assertion that he did. I think Peter has a high regard for himself, probably higher than is warranted. After all, if he really is so talented, why is he still selling derivatives of Kondo’s original designs?
I have many issues with Peter’s letter which simply are not true. Just to highlight one:
This is incorrect and is certainly not “the reality”. Brand name, if trademarked, belongs to the owner of the TM. It has nothing to do with who the investors are, and it certainly does not “pass to” to ANUK because of their efforts. That’s ridiculous.
Ultimately, I blame Kondo Japan for entering into an agreement which gave ANUK so many broad rights. Clearly, K-J did not have good legal advice. But I get it, Kondo was a brilliant engineer, not a business man.
I don’t see any evidence that Peter helped “create” the products, other than his assertion that he did. I think Peter has a high regard for himself, probably higher than is warranted. After all, if he really is so talented, why is he still selling derivatives of Kondo’s original designs?
I would not consider this a good example of how you build amplifiers at all. It depends of course on the price point. Is this a $50K amp or a $5K amp? If it’s closer to the latter, then fine.
Metal on metal fittings are a bad idea, and I can easily see examples of inconsistent soldering.
You will never see either in a Kondo Japan component.
Attachments
either way, Peter’s letter reads as if Kondo has the engineering talent, and he (Peter) has the business and finance angles and the brand name. As audiophiles, people should be looking for the engineering/sonics, not for businessmen.
This particular pair is perhaps not a great illustration as it has clearly been modified with russian coupling caps.
Just to be clear, Audio Note UK amps are primarily designed by Andy Grove, not Peter Q. Andy seems like a good audio engineer and ANUK output transformers were considered tough to beat (although crazy expensive) when they were available for DIY. Obviously, the Kondo Silver ones are also superb (made by Tango Or Tamura)..
Peter also conveniently leaves out the fact that his company was bankrupt! And also leaves out the quality issues that cast a negative light on Kondo Japan’s products.
In any case, at similar pricing, I do not see why ANUK is attractive. At all.
After 60 years sometimes better to change components,when you want the same sound like orginal hunts cap go to russian, sprague vitamin q or siemens.
was just an example of the very clean construction. no cable mess and cable ties. I didn't do the restoration.
They're (silver transformers) %100 percent, absolutely, most definitely made in the house by Kondo. Unfortunately there is no Tango nor Tamura since 2014. Wavac bought the rights of the name Tango and use it AFAIK. Real continuation of Tango legacy is now “ISO” AFAIK.
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Diy Push pull 6c33 amp with russian tube double rectifier5Z8C(max 500mA current) runs at 200volt/ 200mA
Sorry for offtopic
I don't know AN UK seems to be the jack of all trades and master of all, even in the entry-level price ranges.
I’m not sure about that but I think AN UK is master of imitation. AN UK is like an imitation of a three star Michelin restaurant which includes Burger King menus in order to reach more customers.
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