I don’t know anyone who has the same speakers
That is a complete and utter and blatant falcity … You know full well that I have owned Vitavox CN-191’s as I have posted to this forum on a couple of occasions about my experiences with them … However as my own considerations do not support your fantasy view about them you choose to stick your fingers in your ears and go LaaaaLaaaaaLaaaaa … didn't hear you .
I had refrained from posting my following considerations regarding the CN-191’s on your Natural sound thread , however I shall post them now in response :
“ By way of some balance … I have owned CN-191’s In the past , initially as a mono speaker in a dedicated mono system , later adding a second unit followed a third close matching unit to make up a final pair, I know how they work and how they sound and they are a bit of a curates egg tbh .
Firstly and importantly they are coloured , in the accepted sense of the word where transducers are concerned.
There is also a slight but distinct disconnect between the two drivers around the crossover point , which can be ameliorated somewhat with modification work on the crossovers , rolled off at both frequency extremes , not such a biggie perhaps material dependent , slightly compressed on male vocals in the lower register , female upper register , they can also become a tad ‘confused’ with really complex passages of music , the CN 157 Aluminium alloy horn can sound a little ‘glassy’ when pushed , being the reason imho for a slight metalic sheen on Violin , Trumpet Alto Sax , in the higher octaves , a brightness to some leading edges of notes , particularly with higher energy passages on some recordings, together with a tendency for notes to not fully flesh out in the fundamental , and then not decay in an entirely convincing manner , as per the instruments live.
This tendency could be eleviated somewhat by the application of dampening material to the outside rear of the CN 157 horn , however a delicate balance , as too much dampening and the horn lost some of its clarity and vitality, the soundstage as a whole is wide but without any great depth and can sound a tad 2 D .
Most Importantly perhaps *The CN-191 Do Not Present An Audio Signal In An Accurate or Convincing Way To The Source Recording* They present their own version of events.
All that said , stick on a Little Crooner , Rat Pack , Girl and Guitar , Lighter Classical or Big Band ( if not pushed too hard ) a couple of fingers of single malt and they are most enjoyable , however IMHO they are not quite true enough to the recording to be recommended for classical … “