That must've been the fault of the associated components or the room or both, because that just is not how Lyras sound.
This observation can only mean one thing. The XVX were simply not set up properly for you. It is well known that the Wilsons are exquisitely sensitive to the ear height of the listener. Wilson's set-up instructions are exceedingly precise for this important parameter. That is why larger Wilsons often elicit a broad range of reactions at a show; and can range from "wowza" to "they suck". The greatest reason for this disparity is incorrect set up and failure of the speakers to match the ear height of the listener. There is no way a properly set pair of XVX will render an image of vocals coming from someplace in the stratosphere. Something is very wrong if that was your experience. Too bad. If you have the opportunity to visit a dealer who might be motivated and willing, try to see if they might invest in the time to set up the speaker modules for you specifically. It might well be worth the trouble and could be mutually productive.The center vocal image was way up in height, what seemed like floating 8 feet in the air.
Having heard Mikes System and the XVX with subs at Robert Harleys as well as my own Divin Noblesse with and without the Divin Sovereigns I would only advise someone who is considering a system of this caliber to listen to whatever they think can work for them. I have to say that IMO the Wilson's are and seem to be from the varied reactions and comments a complicated kettle of fish to make work properly.certainly plenty of visitors, but the MM7's are a victim of seamless sound without parts drawing attention. is it the room? is it the amps? is it the sources? the tweaks?
can't be these huge speakers i've never heard of. nothing fun about that to talk about. people just don't relate to 3000 pounds of not sexy twin towers.
it's just music.
fully mature sorted out systems are like that. the system disappears.
I heard the smaller Gobel at the 2021 CAF, with Parasound Amps - again, at a show, so room conditions may not have been optimal but they were a little underwhelming. Same thing for the Tidal room. They of coursed sounded "good" but nothing that really impressed me or identified with life-like music.
Real great sound requires time , a show is a hotel room. I dont know where you are located but if your able to come listen in our showrroom in Florida or in Munich I think you can get a real good idea of what they can do. We will be at Axpona in ten days and again a show but we will have the larger speaker the Noblesse there which was just reviewed by RH after we removed the XVX.I heard the smaller Gobel at the 2021 CAF, with Parasound Amps - again, at a show, so room conditions may not have been optimal but they were a little underwhelming. Same thing for the Tidal room. They of coursed sounded "good" but nothing that really impressed me or identified with life-like music.
I'm at least a little familiar with Evolution Acoustics as the MicroOnes I have (with subs) sound better than most speakers I've hear under $20k. The vocals were marginally better on the XVXs compared to my MicroOnes.my Evolution Acoustics MM7's can do all of these things. only more with deeper bass. but no one knows them and you will never hear them at a show or at a dealer.
I agree Marty, my gut feeling was that the XVXs could sound so much better if properly set up.This observation can only mean one thing. The XVX were simply not set up properly for you. It is well known that the Wilsons are exquisitely sensitive to the ear height of the listener. Wilson's set-up instructions are exceedingly precise for this important parameter. That is why larger Wilsons often elicit a broad range of reactions at a show; and can range from "wowza" to "they suck". The greatest reason for this disparity is incorrect set up and failure of the speakers to match the ear height of the listener. There is no way a properly set pair of XVX will render an image of vocals coming from someplace in the stratosphere. Something is very wrong if that was your experience. Too bad. If you have the opportunity to visit a dealer who might be motivated and willing, try to see if they might invest in the time to set up the speaker modules for you specifically. It might well be worth the trouble and could be mutually productive.
I would love to hear them in a properly set up room, if only my work would allow me to get away these days. It's a Catch-22 right now, can't really get away to travel to dealers and shows around the country or visit other awesome audiophile rooms so all I can do is stay home and listen to what I have.Real great sound requires time , a show is a hotel room. I dont know where you are located but if your able to come listen in our showrroom in Florida or in Munich I think you can get a real good idea of what they can do. We will be at Axpona in ten days and again a show but we will have the larger speaker the Noblesse there which was just reviewed by RH after we removed the XVX.
I d be happy to show you what they are capable off in either the two permanent locations and rooms
i have a set of pristine EA MicroOne's in my hallway outside my room. were owned by my now deceased brother in law. back a few years, i set EA MicroOne's up at a couple of shows for the manufacturer. remarkable speaker value. they do more right than many much more expensive speakers. i'm sure they do great for you.I'm at least a little familiar with Evolution Acoustics as the MicroOnes I have (with subs) sound better than most speakers I've hear under $20k. The vocals were marginally better on the XVXs compared to my MicroOnes.
Unfortunately I've only experienced a small sample of what's currently out there in flagship or near the top of the line speakers, in properly set up rooms. From the systems and brands I have heard throughout the years, few have sounded great but occasionally I hear something that just sounds "right" or jumps out at you in a realistic, musical way. The experience with the XVX was one of those moments with a wood instrument. To give a little context here, a number of years back, I heard the Wilson Alexandria at Transparent HQ in their expensively treated room and did not come away with anything that blew me away (I think the room was to dead honestly).
My knowledge is limited but this was just one of those experiences where you say, "In the future, when I am able to purchase it, my system must be able to do that". Between what I've heard with the Kharma Exquisite Midi in a 24ft x 40ft room - amazing soundstage depth and width just to name one aspect of that particular speakers/system and the XVXs for making me hear/see an actual Bass in front of me, what I do know so far is that I need to start with a purpose built room, properly treated and in some sense the right size for the type of speaker, full range - meaning down to the single digits in frequency response and to properly replicate the size and scope of say, Duke Ellington Band or Count Basie Orchestra, the real presence of instruments and so on an so forth.
The idea is to upgrade to something bigger than my standmounts in my current room which is 20x15x10 feet and then remodel the bonus room down the road that is about 50% bigger with 12' foot ceilings. But I need to hear some reference system to know what to look for, try to get as close to those qualities I value in the meantime, until I'm able to move to a bigger speaker/system.which speaker are you interested in? Are you in the big speaker market like the Noblesse or are you looking for something smaller and more affordable? XXV are a majot purchase for sure.
I usually have the Marquis set up with two divin sovereign subs and I love that system .
If sometime later this year you want to come to Florida any day ( as long asa we make a time) Ill do my best to accommodate you.
Im going to try my best at Axpona to make the big system rock but its a process LOL
This year and for the future drapes i every room at every show to try to control the reverb and glare. I think it will be pretty good but never like a mature system in a good room, that's just not possible in a hotel room with about 4 or five hours of play time to get it right.
YG Sonja XVi. I have heard the Wilson Chronosonic XVX at JS Audio in Bethesda, MD and at Audio Salon, Santa Monica, CA.So my question is, for those that have heard that speaker, is there anything else on the market that comes close to that realistic instrument detail/tone/dimensionality without sounding cold and analytical?
I have found all of Marten’s higher tier speakers to be resolving without ever being cold or fatiguing. They need juice, but are forgiving of electronics as well and seem to pair with most anything. They are always smooth, yet highly detailed. I have heard all the models from Parker Diamond up and found them to share this amazing quality.
THe best speakers should absolutely show the listener what is happening with the gear in front of it and the listening space and position.I don't see how a highly resolving speaker can be forgiving -- of electronics, room acoustics or otherwise. The high resolution will almost by definition also expose flaws in the system.
out of curiousity did you like them at both or either? Was the gear different?.
YG Sonja XVi. I have heard the Wilson Chronosonic XVX at JS Audio in Bethesda, MD and at Audio Salon, Santa Monica, CA.